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Helen He '23
Original cover art for the Stanford Daily’s Vol. 257 autumn quarter issue.
2019
Digital Illustration
By Helen He '23
This is the first of an ongoing watercolor series completed under shelter-in-place, based on photos that friends have sent of their favorite views.
2020
Watercolor
Taken at Baylands Nature Preserve during one of the field trips of MI 70Q: Photographing Nature, featuring a student and a community member.
Photograph
This piece looks into the intersection of queerness and religion in the age of the internet and digital upbringing.
Link to Website
2022
Interactive Digital Work
This piece is of my neighbor’s beagle, Clyde. She has two dogs, and the other is named Bonnie!
2016
Colored pencil
*sixth photograph of Hidden Gems series
Series of Photographs
This piece is a self-portrait that puts emphasis on gaze and light to convey a subject that is emerging from the shadows.
2018
Oil Paint on Canvas
A series of photo edits of everyday moments at Stanford.
2017
Digital Art
Sky River is a digital reinterpretation of Japanese graphic designer Koichi Sato’s style based on minimalist forms and gradients.
Blender 3D render
This piece was made the week before quarantine when everything was uncertain and the weight of not knowing what was to come next hung over our heads.
Boulder & Rope
I catch lightning bugs, flitting moments often overlooked, and bring attention to them, so that they might spark a lightbulb in the minds of others.
2021
MultiMedia(Charcoal and Colored Pencil)
2021 — a year of uncertainties, breakthroughs, and hope. The nurse at a vaccination site epitomizes this spirit of perseverance and hope.
Acrylic Paint on Canvas
This series is meant to bring inspiration, energy and presence to the broader community during a difficult time of shelter-in-place and quarantine.
Acrylic gouache on Yupo Polypropylene Paper
De-identified photograph taken for artistic purposes with permission from anatomy professors.
2015
This drawing shows the harsh lines of a cityscape being consumed by organic forms, suggesting that, try as we might, we cannot overpower nature.
Ink on Paper
My mother in her monthly kimchi-making ritual, a food that I learned to take pride in despite being initially ashamed of it.
It’s a shame if you did not get around time to see Hoover Tower in different lights.
Photo
“I’ve loved you since the day I met you”
2023
Acrylic on Canvas
Impressions of animal magnetism and the collective unconscious.
Digital Visual Art
Continuation of After Class Hours.
Location: Main Quad