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Hashimoto
Stanford Graduate School of Education (GSE)

The Gravity of the Sun by Jacob Hashimoto

 

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AAEAAQAAAAAAAAkkAAAAJGI3NTVlMjUyLTRkOGYtNDVjZC04NzZkLTc5ODI4NDQxZDY4Nw - Stephen Henderson
Performance

Stephen Henderson

Saturday, October 26

 

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Pars pro Toto (Alicja Kwade, 2021), a new art installation on Stanford’s Science and Engineering Quad, reaches for the cosmos while staying grounded in the geological history of our planet.

Stanford Arts - Momentum

 

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Student Artist

Angela He '21

Computer Science HCI 2021 @zephybite

View All Artwork

exhausted

head in the clouds

i’ll never cry again

hide my emotions

end.

˗ˏˋ safe ☽ ˎˊ˗

let it out;

ˋ-sunlit-ˎ

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The Quad

Quad is always changing amazingly.

2017

Photo

By Lining Sun '18

self – portrait

This piece is a self-portrait that puts emphasis on gaze and light to convey a subject that is emerging from the shadows.

2018

Oil Paint on Canvas

By Esther Omole '21

Venice

A piece set on a quiet, sunny afternoon in Northeast Italy. Used a reference.

2018

Colored Pencil on Paper

By German Enik '22

The Cabbage Lady

This means “my cabbage” in Russian, and the word also means “money”. This was inspired by a photo from r/peopleofwalmart.

2020

Digital Art

By Majorca "Jorie" Bateman-Coe '20

Il Fait Noir

Man passing through a quickly gentrifying neighborhood in Paris. The text reads “it is dark (or literally, black) in the country of lights.”

2019

Photograph of Man in Paris

By Charlie Jarvis '19

bubbleUp

The central focus of these prints is the vibrant potato starch granule depicted under polarized light and how its shape and colors are manipulated.

2023

Algorithmic Art made with Processing

By Krystal Li '26

Nighttime

Mice own your belongings at night.

2016

Charcoal Pencil on Paper

By German Enik '22

Trying to Forgive

This piece grapples with the difficulty of forgiveness. Opposing forces compete: luminosity and shadow, serenity and grief, redemption and regression.

2022

Oil on canvas

By Jackie Liu '25

Bruises

Western media creates unrealistic expectations of perfection in avocados. In this painting, I seek to challenge and redefine avocado beauty standards.

2016

Oil on canvas

By Nan Munger '20

Moral Support

With a color palette and thematic melancholy inspired by Picasso’s Blue Period, this intimate vignette chronicles my experience with depression.

2023

Oil on wood panel

By Jackie Liu '25

Limitless World

I wanted to depict the endless possibilities of this world; the one we are so used to taking for granted.

2018

Acrylic on canvas

By Mikaela Berkeley '20

Two versions of my favorite picture of the church

As a landscape photographer, I like to see things in different light.

2016

Photo with artistic editing

By Lining Sun '18

bite back

A realistic painting of a dog mouth, rendered uncomfortably close to the viewer. 8″ x 10″.

2018

Oil paint on canvas

By Cairo Mo '20

Sandy Treasures

This is a painting of me as a child, my mom, and my grandma at the beach. It symbolizes the treasure that is family and togetherness.

2022

Acrylic Paint on Canvas

By Sarah Dong '26

Grief

This piece uses classical aesthetics to explore man’s grief and natural processes, exploring the idea that humans can create, inform, and be nature.

2017

Charcoal and Pencil on Paper

By Annie Ng '20

A Moment at the Louvre

This is a painting of inception as an artist recreates a Delacroix masterpiece, “The Death of Sardanapalus” with a little boy looking up in awe.

2021

Acrylic Paint on Canvas

By Sarah Dong '26

Digital Art

I painted a face digitally, and I like frames, angels, and rocket ships.

2020

Digital Art

By Majorca "Jorie" Bateman-Coe '20

Green Library -3

As a landscape photographer, I like to see things in different light. These photos represent my personal interpretation of Stanford.

2018

Photo

By Lining Sun '18

Post-Election Blues

Portrait of my friend, a queer black woman, in her room the night of the 2025 election results.

2024

Acrylic on Canvas

By Bryan Defjan '24

Sky River

Sky River is a digital reinterpretation of Japanese graphic designer Koichi Sato’s style based on minimalist forms and gradients.

2019

Blender 3D render

By Noah DeWald '20
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