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Zaki Rob '25
A collection of 8 poetic pieces that pull from, build upon, and draw inspiration from the Brown queer experience of a drag artist at a PWI.
Link to Artwork
Link to Website
2024
Collection of Poetry
By Zaki Rob '25
A wristwatch lies across a keyboard, the numbers juxtaposing the letters and a soft, glowing gleam reflecting across its surface.
2019
Acrylic Paint on Canvas
By Sarah Dong '26
A gray tabby cat with timeless, marble-like eyes filled with stories to tell and lessons to share sits near a bush, encapsulating the spirit of Paris.
2019
Colored Pencil
By Sarah Dong '26
A portrait of a good dog who has traveled a very long way.
2020
Acrylic Paint on Canvas
By Anneke Claypool '21
I made this piece as an exploration of how cows are perceived in different cultures, and society’s relationship to animals as a whole.
2015
Mixed Media
By Noah DeWald '20
I have a series of three paintings showing scenes from 3 places here in USA which caught my eye.
2022
Watercolor
By Dayeeta Pal '27
With a color palette and thematic melancholy inspired by Picasso’s Blue Period, this intimate vignette chronicles my experience with depression.
2023
Oil on wood panel
By Jackie Liu '25
Taken at Felt Lake during one of the field trips of MI 70Q: Photographing Nature, featuring IntroSem students and Continuing Studies students.
2019
Photograph
By Yifei He '22
This work is about rupture and disruption, whether environmental, familial, or linguistic. I wanted to think visually about over-saturation.
2020
India Ink on Paper
By Regina Kong '22
[how I avoid winter quarter: experiments with colors and a palette knife]
2017
Oil Paint on Canvas
By Meg McNulty '20
A wristwatch lies across a keyboard with numbers juxtaposing letters, emphasizing how some things are not meant to be rushed and will happen in time.
2019
Acrylic on Canvas
By Sarah Dong '26
A depiction of the Southeast Alaskan landscape, seen from a kayak near the Inian Islands. 25.5″ x 36″
2017
Oil paint on paper
By Cairo Mo '20
Rendering of a modern jazz pavilion, referencing the visual skeleton chord structure of jazz compositions.
2018
Digital Rendering
By Akshay Dinakar '19
The tradition of monuments uplifts cishet white men through idealized, bodily depictions of men, but queerness transcends the restrictions of the body
2022
Acrylic paint on canvas
By Aileen Rubio '26
I use this artwork to ask, “What has become of our childhood innocence?”
2019
ink on paper, collage
By Helena Zhang '22
The Andromeda constellation re-imagined, through drawing, through burning holes in paper; how do we impose humanity upon the stars?
2016
Charcoal on paper; flame on tracing paper
By Zhanpei Fang '19
My piece comments on the movement of youth in Mexico towards narco culture and the dire implications it has for more traditional aspects the culture.
2018
Acrylic Paint on Canvas
By Lorena Diosdado '21
I created this piece in order to show a city full of life in contrast to one that is merely an outline.
2016
Acrylic on Paper
By Amelia Talkington '22
