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Kamilah Nicalli Arteaga '22
August on my family’s ranch in Jalisco, México.
Link to Website
2017
Environmental Photographs
By Kamilah Nicalli Arteaga '22
A little boy reaches out to the diver on the other side of the aquarium glass, encapsulated within this innocent moment of hope and harmony.
2020
Acrylic Paint on Canvas
This is a painting of inception as an artist at the Louvre Museum recreates “The Death of Sardanapalus” by Delacroix, a little boy looking up in awe.
2021
Acrylic on Canvas
This is a picture a created from 40 raw pictures I took of the same fruit cup. Compiling all 40 images into one allowed me to show everything in focus
2018
Digital Photograph
cloudy with a chance of love
Digital illustration
These two small paintings feature a whimsical image that explores feminine sexuality, inspired by the flesh-like quality of oil paint.
oil on cnavs
This is a photograph taken of me practicing golf! I particularly enjoy the lighting and the visual interplay between the golf ball and the clubface.
Photograph of Athletics
These monotype prints are based on historical photos of imperial palaces in Beijing, my hometown.
2019
monotype on paper
A self portrait done in the style of the Old Masters.
2014
Oil Paint on Canvas
Portrait of my friend, a queer black woman, in her room the night of the 2025 election results.
2024
A fantastical city illustrating a water-based transportation system.
Digital painting
This is a portrait of a cat whom I love and cherish.
Oil on canvas
Often, I find myself missing the changing of seasons. But if I just look closely, signs of autumn are all around.
Nature Photography
Photojournalistic exploration of the human impact of rhino poaching in South Africa – done in Prof Sue McConnell’s overseas seminar in Summer 2016.
2016
Photographs
Lucky to witness a green Dish.
Photo
My family, despite being cramped in a bungalow room that was our home, share warmth and happiness beyond understanding.
A commentary on the fifth stage of grief: acceptance.
Reflective watercolor painting after a trip to Tokyo.
Watercolor
This is a surreal meditation on nature’s comforting power as a sanctuary for people in need of healing.
2022
Pencil on paper
Vero is a UG2 custodial worker on campus who I tutor through habla. I hoped to display her as I have grown to know her: strong and compelling.
Quad is always changing amazingly.