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Brandi Ransom '23
Silhouette of a black woman, breathing her way through.
2020
Acrylic on Canvas
By Brandi Ransom '23
As a landscape photographer, I like to see things in different light. These would represent my personal interpretation of Stanford.
2017
Photo
This is a portrait of a cat whom I love and cherish.
2019
Oil on canvas
These are part of an ongoing series of portraits of people I met in passing. They can be displayed together or individually.
2018
This piece captures the fleeting, but golden moment of connection between the deer and the viewer. A reminder that beautiful things are fleeting.
2015
The girl who depicts prosperity is looking beyond her world into one that’s suppressed by indigence, because to solve a problem you must face it.
acrylic on canvas
This series was taken at the Smithsonian Natural History Museum’s Butterfly Pavilion.
Series of Photographs
This work showcases cultural connection and displacement. The food that should be on your table is now hung on a wall, commemorated but inaccessible.
2024
Monoprints on food wrapping paper, laser cut stencils
Fog drapes over the breathtaking mountain tops and diffuses across the road of Icefields Parkway in Banff National Park, creating a sense of quietude.
Western media creates unrealistic expectations of perfection in avocados. In this painting, I seek to challenge and redefine avocado beauty standards.
2016
This is a painting for children with scars of violence and broken families. The blue hands are suffocating the girl’s strength to speak up.
How do you heal after being discarded?
2021
Location: Main Quad
2023
Digital Illustration
Taken while walking in my hometown of Washington, D.C.
Photograph
A vivid rainbow above the hoover tower
Photograph of nature
Episode 1 of an upcoming mystery micro-film series
Link to Website
2022
Short Film
Sky River is a digital reinterpretation of Japanese graphic designer Koichi Sato’s style based on minimalist forms and gradients.
Blender 3D render
This drawing shows the harsh lines of a cityscape being consumed by organic forms, suggesting that, try as we might, we cannot overpower nature.
Ink on Paper
Pair of multimaterial CNC dragonflies (brass, copper, aluminum, steel). The dragonflies explore age and rebirth through corrosion.
Sculpture
Girl restrains her tears for, hopefully, the last time.
Photoshop
The security blanket is a metaphor for something we cling to when we are afraid and how it is something we must learn to let it go.
Photography