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Anushikha Anushikha '25
A watercolor painting of Stanford Campus
Link to Website
2023
Acrylic Painting
By Anushikha Anushikha '25
I play hide and seek with the scars from a clumsy childhood that my Korean family always told me to hide.
2021
Acrylic Paint on Canvas
San Francisco at dusk is illuminated by pinpoints of light on the distant hills.
2022
Oil paint on panel
This work is made with acrylic on campus in addition to found paper items, medical textbooks, and other materials.
2018
Acrylic paint and multimedia on canvas
This piece is a manifestation of the growth and maturity, both physically and mentally, found in adolescence. It mimics the flowering of youth.
Photograph of a physical collage (paper, printed image)
This is a painting of me as a child, my mom, and my grandma at the beach. It symbolizes the treasure that is family and togetherness.
It is difficult for humans to accept their own flaws and imperfections. This is a self-portrait displaying my many different tones and personalities.
2017
Acrylic on Paper
Vials of yeast samples are the remaining evidence of Dr. Charles Yanofsky, a noted faculty and geneticist who passed away in 2018.
Photograph
This piece seeks to capture the way people burnout and lose themselves to fulfill the expectations of others.
2020
Digital Illustration
A contrast between the cold, grayish tones of the subject and the warmer ones of the koi around her as they mesh together following the fish’s flow.
Oil Paint on Canvas
Submersion is a painting that experiments with figure in distortion, and blends the organic elements of nature with human form.
2015
This song is a unique take on John Coltrane’s ‘Impressions’ in terms of instrumentation, style, and genre.
2016
Guitar recording with electronic drums and synths
This series was taken at the Smithsonian Natural History Museum’s Butterfly Pavilion.
2019
Series of Photographs
This means “my cabbage” in Russian, and the word also means “money”. This was inspired by a photo from r/peopleofwalmart.
Digital Art
This piece depicts how the new digital, photo-sharing era fetishizes Asian women against their will, especially in their traditional attire.
Linoleum Block Print on Paper
I made this painting in Iceland as part of my Chappell-Lougee arts project. It is a portrait of a glacier in the glacier lagoon known as Jökulsárlón.
Mixed media (oil paint, charcoal, pastel, grass) on canvas
A faceless woman in a room of South Vietnamese soldiers
Graphite on Paper
Through the intimacy and vulnerability of sleep, I convey my boyfriend’s personality, embodied presence, and imprint – literally and metaphorically.
Oil on canvas
Taken on a Sophomore College trip to Tanzania, a Maasai junior warrior dons the traditional post-circumcision black robes and white face paint.
Serenity from within results from letting go.
2014
Watercolor
This is a painting of inception as an artist at the Louvre Museum recreates “The Death of Sardanapalus” by Delacroix, a little boy looking up in awe.
Acrylic on Canvas