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Portrait of a Queer Person
Abstract portrait that transcends the restrictions of the body and provides the opportunity for anyone of any background to identify with the piece.
2022
Acrylic Paint on Wood
By Aileen Rubio '26
Frank’s Blue
This work is based off a creative non-fiction short story I wrote about my childhood relationship with my father.
2017
Oil on Canvas
By Francesca Colombo '19
Self-portrait
While at SFMOMA with Stanford’s ITALIC program, I created this self-portrait to explore the merging of technology with my image of self.
2017
Photograph
By Julianna Yonis '21
Where Language Begins and Does Not End
An exploration of the intergenerational and varied manifestations of Japanese internment on the self, the body, the family, and language.
2018
acrylic and mixed media
By Syd Westley '21
How Small Are We?
Commenting on our smallness in comparison to all we have to face – be it a pandemic, the vastness of the ocean, or history. Our smallness is humbling
2020
acrylic on cardboard
By Helena Zhang '22
Digital Future
This piece depicts how TikTok primarily portrays a fetishized version of Asian women, leading to an uncertain digital future of complicated dynamics.
2022
Linoleum Block Print on Paper
By Hannah Cha '25
Lassie
I painted this painting following the death of my dog. Sourcing imagery from cheap print and Southern nostalgia, Lassie paints a scene of rebirth.
2019
By Gunner Dongieux '21
Symbiosis
The piece is inspired geometric subdivision, tessellations and fractals, fusing representations from Chinese, Japanese, and Japanese symbolisms.
2017
Laser Cut Birchwood
By Kimberly Te '20
Eyes Over
This piece emerged from a desire to merge figurative and abstract forms. (there are some flaws in the .jpg, if needed I can retake pictures)
2015
Acrylic on Canvas
By Noah DeWald '20
Main Quad Blues
Original cover art for the Stanford Daily’s Vol. 257 autumn quarter issue.
2019
Digital Illustration
By Helen He '23