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My mother in her monthly kimchi-making ritual, a food that I learned to take pride in despite being initially ashamed of it.
2020
Acrylic Paint on Canvas
By Hannah Cha '25
Thousands of stippled dots layer on each other to create each gargoyle and rooftop, coming together to reveal the magnificent, historical spire.
2020
Pen and Ink
By Sarah Dong '26
This piece was made the week before quarantine when everything was uncertain and the weight of not knowing what was to come next hung over our heads.
2020
Boulder & Rope
By Paige Warmington '22
This is a collage I made featuring my favorite colors. There are bits of paper popping off of the page!
2021
Digital Photograph of Paper Collage
By D Fukunaga-Brates '25
A collage made from mind media upon reflection of a quarter of studying the classics in Stanford’s freshman SLE residential program.
2018
Mixed Media/Collage
By Lilith Frakes '21
“Oxymoron” defies norms with the bond between a fierce girl warrior and her majestic dragon companion, embodying unity amidst contrast.
Link to Artwork
2024
Watercolors and inkpen on mixed media paper
By Lavinia Pedrollo '28
This piece depicts how the new digital, photo-sharing era fetishizes Asian women against their will, especially in their traditional attire.
2022
Linoleum Block Print on Paper
By Hannah Cha '25
August on my family’s ranch in Jalisco, México.
2017
Environmental Photographs
By Kamilah Nicalli Arteaga '22
This is a surreal meditation on nature’s comforting power as a sanctuary for people in need of healing.
2022
Pencil on paper
By Bryan Defjan '24
Both works are depictions of traditional Catholic religious figures figured through an assemblage of inanimate objects.
2018
Graphite and watercolor on paper
By Ali Vaughan '19
Inspired by the strange reflection of an empty glass sitting on a table, this is a piece is about power and powerlessness—control and lack of it.
2020
Acrylic on canvas
By Vrinda Suresh '21
This piece tackles the topic of invisible disabilities and the stigma that many invisibly disabled people, myself included, face.
2018
Photograph on Canvas, Embroidery
By Francesca Colombo Colombo '19
Inspired by Stanford’s Romanesque architecture and towering palm trees, I wanted to capture the university’s vibrant energy and beauty.
2019
Digital Illustration
By Helen He '23
Princess Going Digital considers queer girlhood on the playground of the laptop screen, a site for unapologetic self-documentation and portraiture.
2023
Gouache on Paper
By Malavika Kannan '24
This painting is an interpretation of Magritte’s surrealist painting “The Mysteries of the Horizon,” replacing the men with an aging ballerina.
2018
Acrylic paint on canvas
By Nicola Buskirk '22
In a knife fight, two versions of me grapple and wrestle for control, but both end up symmetrically and simultaneously triumphant and defeated.
2018
Oil paint on found wood
By Cairo Mo '20
These three prints depict tide pool scenes in Moss Beach, CA. They are part of a series, “From Puddles to Pools: A Showcase of Marine Invertebrates.”
2024
Sea Slug is a woodcut and the other two are etchings.
By Will Pangburn '29
This drawing was an attempt to capture my feelings about Stanford: an intimidating fortress of possibilities.
2018
Markers on paper
By Alejandro Poler '19
This drawing for me is meant to capture some of the dynamic processes I have witnesses in the Cosmos.
2018
Watercolor and black ink
By Alejandro Poler '19