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Student Artist
Computer Science 2026 @christinaa.ba
This work is about rupture and disruption, whether environmental, familial, or linguistic. I wanted to think visually about over-saturation.
2020
India Ink on Paper
Serenity from within results from letting go.
2014
Watercolor
“Oxymoron” defies norms with the bond between a fierce girl warrior and her majestic dragon companion, embodying unity amidst contrast. Link to Artwork
2024
Watercolors and inkpen on mixed media paper
A woman in dark clothing sits on the graffitied ruins of Sutro Baths, staring into the soft, ethereal waves illuminated by warm sunlight.
2022
Oil paint on canvas
I wanted to depict the endless possibilities of this world; the one we are so used to taking for granted.
2018
Acrylic on canvas
A projection of water drapes over a foot, the painting interweaves the physical and digital sensation.
Link to Website
2016
Oil on canvas
Silhouette of a black woman, breathing her way through.
Acrylic on Canvas
A portrayal of the death of Chaos as depicted in the Zhuangzi, who expired after Shu and Hu bored a new hole into him each day for seven days.
2015
Digital Visual Art
Androids may dream of electric sheep, and electric sheep …
doodle
A commentary on the fifth stage of grief: acceptance.
2021
This piece is a portrait of a friend that overlays an island near the Philippines that has a deep personal association for her from her time there.
2017
Oil Paint on Canvas
Quad is always changing amazingly.
Photo
Location: The Claw fountain, White Plaza Part of the virtual 2020 Stanford Gaieties musical scenery.
Digital Illustration
This project was done on a ten-day summer trip to my family’s ranch.
Environmental Photographs
This piece seeks to capture the way people burnout and lose themselves to fulfill the expectations of others.
She wipes the mask off after a long day.
Photoshop
In a knife fight, two versions of me grapple and wrestle for control, but both end up symmetrically and simultaneously triumphant and defeated.
Oil paint on found wood
Series highlighting experiences with environmental change, connection to place, and emotional displacement by collaging satellite maps with portraits.
Photography/digital collage
Past lovers who couldn’t be together grieve over “what was” and “what could have been”, learning each other’s rhythms tenderly for the first time.
Oil on Canvas
This piece explores gender. On the left are stereotypically feminine things, on the right masculine, and in the middle a “beautiful” mix of the two.
2019
Photograph/Scanned Image