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Student Artist
Political Science 2019 @rjwillscheidt
Colorful shapes of San Francisco buildings are highlighted by a bright sunny day.
2022
Oil paint on canvas
This short film was submitted as part of my arts portfolio for my Stanford application
Link to Website
2021
Short Film
A faceless woman in a room of South Vietnamese soldiers
Graphite on Paper
How does the lover’s gaze interpret and transform the body? What does it mean to paint the beloved intimately yet leave them unidentifiable?
Acrylic on canvas
Experimentation with natural forms and light.
2018
Photograph
This artwork examines the place of genetically modified organisms in modern society and how we view them, blurring the line between item and organism.
2014
fine-tip pen and watercolor on paper
every part of this earth is a surrogate for the people that helped create iteach building reflects the community that built it
Acrylic on Canvas
Growing up in Iran taught me that limitation breed creativity. I tried to embody the same lesson by using alternative printing methods in the darkroom
2016
Black & white photography
Abstract photography with the goal of rendering mundane objects unrecognizable.
Photography
A visual exploration of ZIP, a drug currently in development used to treat PTSD by directly erasing targeted memories.
Mixed Media
These pictures were taken during a neurosurgery at Stanford’s Lucile Packard Children hospital.
2017
Digital photography
An abstract piece with a collage element, created from splicing a collaborative image. It invokes a sense of depth and the condensation of space.
Oil paint and paper on paper
I made this painting with an attempt to capture the vibrant feeling of spring and awakening. It’s a reminder of the beauty and color of life!
Oil on canvas
cloudy with a chance of love
2020
Digital illustration
This is a self portrait examining the complex nature of identity through both realistic forms and abstract shapes.
These three prints depict tide pool scenes in Moss Beach, CA. They are part of a series, “From Puddles to Pools: A Showcase of Marine Invertebrates.”
2024
Sea Slug is a woodcut and the other two are etchings.
This painting was an exercise to try and use simple, yet bold brushstrokes to capture the essence of the moment.
An observational abstract of seaweed washing onto a beach, brought in by the tide. 24″ x 30″.
A projection of water drapes over a foot, the painting interweaves the physical and digital sensation.
Girl meets whale.
Digital Illustration