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Hashimoto
Stanford Graduate School of Education (GSE)

The Gravity of the Sun by Jacob Hashimoto

 

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AAEAAQAAAAAAAAkkAAAAJGI3NTVlMjUyLTRkOGYtNDVjZC04NzZkLTc5ODI4NDQxZDY4Nw - Stephen Henderson
Performance

Stephen Henderson

Saturday, October 26

 

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Pars pro Toto (Alicja Kwade, 2021), a new art installation on Stanford’s Science and Engineering Quad, reaches for the cosmos while staying grounded in the geological history of our planet.

Stanford Arts - Momentum

 

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Student Artist

Vrinda Suresh '21

Biology (Ecology and Evolution) 2021 @vrinda.rt

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Portrait of a Glass, Empty (2020); Barriers (2021)

(un)grounded

“Vast, grafted monoculture”

Portrait of a Glass, Empty

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Photography

Taken at Felt Lake during one of the field trips of MI 70Q: Photographing Nature, featuring a IntroSem student of the course.

2019

Photograph

By Yifei He '22

Killer in the Sun

A three panel survey of a new environment.

2018

Acrylic on Canvas (Three 5ft x 4ft panels) 60 x 144 in

By Gunner Dongieux '21

Vortex

An experiment with my visual synesthesia, which imparts color on 2D shapes. This piece intends to instill a sense of curious serenity.

2016

Digital Visual Art

By Andrew Lesh '19

untitled (screen painting)

A medium exploration of painting on windows screens.

2018

window screens, oil paint

By Vivienne Le '19

Motherhood Postponed till Further Notice

Collage exploring feminist and bioethical discussions of reproductive technologies. Previously featured at the Medicine & the Muse Student Symposium.
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2024

print

By Hana Dao '25

Humanity in the operating room

These pictures were taken during a neurosurgery at Stanford’s Lucile Packard Children hospital.

2017

Digital photography

By Soraya Fereydooni '20

Dinner, Party

(No description)

2022

Watercolor on Paper

By Lily Thai '27

A Moment at the Louvre

This is a painting of inception as an artist at the Louvre Museum recreates “The Death of Sardanapalus” by Delacroix, a little boy looking up in awe.

2021

Acrylic on Canvas

By Sarah Dong '26

Figure 57

A fun, surreal piece exploring themes related to the modern food industry.

2014

Watercolor on Paper

By Noah DeWald '20

middle passage

A depiction of the Southeast Alaskan landscape, seen from a kayak near the Inian Islands. 25.5″ x 36″

2017

Oil paint on paper

By Cairo Mo '20

Dosed and Exposed

This self portrait addresses my invisible disability and the words around me are a mix of medical statements and emotional entries from my journal.

2018

Graphite on Paper

By Francesca Colombo '19

Green Library -2

As a landscape photographer, I like to see things in different light. These photos represent my personal interpretation of Stanford.

2017

Photo

By Lining Sun '18

Maasai Junior Warrior

Taken on a Sophomore College trip to Tanzania, a Maasai junior warrior dons the traditional post-circumcision black robes and white face paint.

2017

Photograph

By Donovan Tokuyama '20

David

“David” is a 3D bust loosely based on Michelangelo’s piece of the same name. Inspired by the music video of “Money for Nothing” by Dire Straits.

2018

Blender 3D Render

By Noah DeWald '20

Look Behind You

Impressions of animal magnetism and the collective unconscious.

2017

Digital Visual Art

By Andrew Lesh '19

Saint of the Bahía

You have pomegranate trees in your backyard, well so do I. Your family can’t afford to live in the Bay Area, well neither can mine…You’re just like me

2024

Oil on canvas

By Aileen Rubio '26

Hide and Seek

I play hide and seek with the scars from a clumsy childhood that my Korean family always told me to hide.

2021

Acrylic Paint on Canvas

By Hannah Cha '25

My Boy

How does the lover’s gaze interpret and transform the body? What does it mean to paint the beloved intimately yet leave them unidentifiable?

2022

Acrylic on canvas

By Victoria Hill '20

Self-Portrait

This painting was an exercise to try and use simple, yet bold brushstrokes to capture the essence of the moment.

2018

Oil paint on canvas

By Madeleine Yip '02

Sleepyhead

Through the intimacy and vulnerability of sleep, I convey my boyfriend’s personality, embodied presence, and imprint – literally and metaphorically.

2022

Oil on canvas

By Jackie Liu '25
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