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Tracy Wei '26
This self portrait depicts how your initial view of the world glitches, or shatters as different experiences come with growing up.
2020
Colored pencil
By Tracy Wei '26
This is the first of an ongoing watercolor series completed under shelter-in-place, based on photos that friends have sent of their favorite views.
Watercolor
These pictures were taken during a neurosurgery at Stanford’s Lucile Packard Children hospital.
2017
Digital photography
This work showcases cultural connection and displacement. The food that should be on your table is now hung on a wall, commemorated but inaccessible.
2024
Monoprints on food wrapping paper, laser cut stencils
These works were primarily crafted from fashion, science, and interior design magazines ranging from the early 90s to present.
2019
Collage, ink pen
This piece started as a blank page and turned into a take on modern ignorance rendered in colored pencil and typewriter ink. Link to Artwork
colored pencil, poetry
These metallic flowers portray our future if we continue to condone industrial heavy metal pollution. Each flower is one of my original designs.
Original origami flowers on red and silver foil paper; Arranged with silk leaves
A projection of water drapes over a foot, the painting interweaves the physical and digital sensation.
Link to Website
2016
Oil on canvas
A coloring pages for people to color and de-stress:) These pages are part of my project Coloring to Cope for the COVID-19 art grant.
2022
Digital
This song is a unique take on John Coltrane’s ‘Impressions’ in terms of instrumentation, style, and genre.
Guitar recording with electronic drums and synths
Knowledge allows the mind to bloom.
Digital Illustration
A portrait of a good dog who has traveled a very long way.
Acrylic Paint on Canvas
I made this piece as an exploration of how cows are perceived in different cultures, and society’s relationship to animals as a whole.
2015
Mixed Media
Exploring the weary determination of an aged subject shouldering generational burdens. Experimented with earthier and darker tones, deconstruction, an
Oil Paint on Canvas
Episode 1 of an upcoming mystery micro-film series
Short Film
A series of poems written exclusively with programming keywords. An investigation on language, audience, and dangerous English-centric thinking.
code poems
Lush layers of volanoes, forest fires, tsunamis are interwoven with snarling dogs, invoking chaotic and powerful forces of nature. 30″ x 40″.
2018
Oil paint and thread on canvas
These three prints depict tide pool scenes in Moss Beach, CA. They are part of a series, “From Puddles to Pools: A Showcase of Marine Invertebrates.”
Sea Slug is a woodcut and the other two are etchings.
A reflection of my Korean heritage in the new digital age, and how technology distorts my self-perception and my relationship with my culture.
2021
This short film was submitted as part of my arts portfolio for my Stanford application
This is a portrait of a cat whom I love and cherish.