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Katie Han '23
I was inspired by the stillness of this moment, the warm light, and the beautiful shadows created by the trees. This was based on SF Japantown.
2020
gouache on paper
By Katie Han '23
As a landscape photographer, I like to see things in different light. These photos represent my personal interpretation of Stanford.
2017
Photo
A woman in dark clothing sits on the graffitied ruins of Sutro Baths, staring into the soft, ethereal waves illuminated by warm sunlight.
2022
Oil paint on canvas
Episode 1 of an upcoming mystery micro-film series
Link to Website
Short Film
Abstract photography with the goal of rendering mundane objects unrecognizable.
2018
Photography
Vero is a UG2 custodial worker on campus who I tutor through habla. I hoped to display her as I have grown to know her: strong and compelling.
Oil Paint on Canvas
Series of 22 photographs reimagining tarot cards (Rider-Waite deck Major Arcana), to reflect the diversity and complexity of the contemporary world.
Digital Photographs
I wanted to render a tree during a vibrant morning on The Farm from a design perspective.
2016
Ink Resist
Moving away from home in a new country has given me independence, and also comes with its responsibilities. This piece was an outburst of this feeling Link to Artwork
2023
Poetry
I made this painting in Iceland as part of my Chappell-Lougee arts project. It is a portrait of a glacier in the glacier lagoon known as Jökulsárlón.
Mixed media (oil paint, charcoal, pastel, grass) on canvas
Kumari, the living Goddess of Nepal, is not allowed to speak to those who worship her, yet her glowing eyes depict that she has so much to tell us.
Graphite
Location: The Claw fountain, White Plaza Part of the virtual 2020 Stanford Gaieties musical scenery.
Digital Illustration
India to America. When the kids go to school everyday, they can see our own school, and not feel so far, despite being halfway around the world.
Enamel Paint
This piece explores gender. On the left are stereotypically feminine things, on the right masculine, and in the middle a “beautiful” mix of the two.
2019
Photograph/Scanned Image
This piece looks into the intersection of queerness and religion in the age of the internet and digital upbringing.
Interactive Digital Work
I love the idea of a personal brand, especially in 2016.
2014
Color Film
Sea Glass is a poem I wrote in high school about fearing going to college. I transformed it into a book with watercolor paintings and text designs.
Art book
This image plays with scale, texture, and the physicality of water.
These small paintings were quick, gestural sketches that explore the beauty of the feminine form.
Oil on canvas
Machines roar and metal parts clang away in the background in this artwork as an enormous robot is constructed before the eyes of a young spectator.
Adobe Photoshop Illustration
February is a gray month, but these flowers bloomed anyway. Link to Artwork
2024
sublimation print on synthetic blue satin