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Helen He '23
Location: The Claw fountain, White Plaza Part of the virtual 2020 Stanford Gaieties musical scenery.
2020
Digital Illustration
By Helen He '23
These pictures were taken during a neurosurgery at Stanford’s Lucile Packard Children hospital.
2017
Digital photography
This piece is a self-portrait that puts emphasis on gaze and light to convey a subject that is emerging from the shadows.
2018
Oil Paint on Canvas
A cat in a Japanese restaurant.
2019
3D computer graphics
A three panel survey of a new environment.
Acrylic on Canvas (Three 5ft x 4ft panels) 60 x 144 in
generational echos is an interactive art piece created using Processing, delving into the deeply ingrained cultural values in Vietnamese society.
Link to Website
2023
Interactive Video Installation
February is a gray month, but these flowers bloomed anyway. Link to Artwork
2024
sublimation print on synthetic blue satin
This artwork examines the place of genetically modified organisms in modern society and how we view them, blurring the line between item and organism.
2014
fine-tip pen and watercolor on paper
This photo was taken in the McMurty Art Building. I used black paint in photoshop to highlight the lights and computer.
2016
Digital Photograph
The piece is inspired geometric subdivision, tessellations and fractals, fusing representations from Chinese, Japanese, and Japanese symbolisms.
Laser Cut Birchwood
This is a picture a created from 40 raw pictures I took of the same fruit cup. Compiling all 40 images into one allowed me to show everything in focus
My family, despite being cramped in a bungalow room that was our home, share warmth and happiness beyond understanding.
2021
Acrylic Paint on Canvas
An observational abstract of seaweed washing onto a beach, brought in by the tide. 24″ x 30″.
Oil paint on canvas
This piece uses classical aesthetics to explore man’s grief and natural processes, exploring the idea that humans can create, inform, and be nature.
Charcoal and Pencil on Paper
At Bay is a student-created web series about the launch of a Stanford startup that goes horribly, horribly wrong.
Still from a web series
A study of a tree for Drawing I in charcoal, exploring silhouettes and shading.
Charcoal on Paper
I love the idea of a personal brand, especially in 2016.
Color Film
Released some restless energy onto paper with this portrait sketch.
Graphite on Paper
Hide my anger behind flowers // my anxiety behind moths // my sadness behind â–“â–“â–“
Photoshop
As a landscape photographer, I like to see things in different light. These photos represent my personal interpretation of Stanford.
Photo