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Lining Sun '18
Quad is always changing amazingly.
2017
Photo
By Lining Sun '18
Fractured is a piece that depicts the fracturing of self-esteem, reflecting the experience with social media and detrimental beauty standards.
2022
Acrylic Paint, Marker, and Staples on cardstock photo print
The setting sun casts a firey light onto the skyline of San Francisco, with Coit Tower visible over the hills of the city.
Oil paint on canvas
In “Buried,” I used collage and layering to express the haunting suspicion of a seemingly ordinary event. The nostalgia oblivious bliss.
2023
Mixed Media: paper collage with ink and watercolor
Koreanthian is based on merging different architectural styles that transcends geographical, cultural, and historical differences.
2024
Pen & Ink Drawing on Bristol Paper
Self portrait at the height of COVID and my own extraordinary depression.
2020
These pieces draw on the rich beauty of Italy to subvert ideas of what Italian art must be (i.e stuck in the Renaissance).
Pen and Marker
A wristwatch lies across a keyboard, the numbers juxtaposing the letters and a soft, glowing gleam reflecting across its surface.
2019
Acrylic Paint on Canvas
Inspired by a trip to explore the nature preserves in Mass Landing, CA, this art showcases two curlew birds looking for food in the shallow waters.
Watercolor and Pencil
This series was taken at the Smithsonian Natural History Museum’s Butterfly Pavilion.
Series of Photographs
“prayer”, featuring the artist’s grandmother, captures feelings of chaos and anxiety, as well as the calm performed to or provided by others.
Link to Website
2021
Projection Installation
Two paintings exploring emptiness and isolation, and confronting feelings of lack of control during the early stages of the pandemic.
Acrylic on canvas, some collage from a news story
(No description)
Watercolor on Paper
The sky disc’s dynamic effects on viewing the sky were photographically documented over the course of a sunrise and a sunset.
Installation: printed plastic sheeting (pictorico), fishing wire
This photography series depicts the four indigenous Khmer women at Stanford, invisibility, and the consequent strong community we formed.
Photography Series
This piece tackles the topic of invisible disabilities and the stigma that many invisibly disabled people, myself included, face.
2018
Photograph on Canvas, Embroidery
This piece was inspired by the many rooftop cafes and stunning views of the Bosphorus River while I was exploring Istanbul on a summer vacation.
Adobe Photoshop Illustration
Taken at Felt Lake during one of the field trips of MI 70Q: Photographing Nature, featuring a IntroSem student of the course.
Photograph
Location: The Claw fountain, White Plaza Part of the virtual 2020 Stanford Gaieties musical scenery.
Digital Illustration
Originally meant as a study of diffused light in a “nocturne” scene, this piece is a take on portraiture, figures, and landscape in one.
Oil Paint on Canvas
In “closeted”, a silhouette projected onto a bralette in a closet reimagines the queer closeted experience as a positive one.