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Streebal: Stories of Women and Power (Pre-show photoshoot)
In a pre-show photoshoot for my roommate’s student classical Indian dance ensemble, Noopur, she “breaks character” during a pose.
2016
Photograph
By Robin Willscheidt '19
Wind
Released some restless energy onto paper with this portrait sketch.
2020
Graphite on Paper
By Phoebe Kimm '20
Back Out
This work is about rupture and disruption, whether environmental, familial, or linguistic. I wanted to think visually about over-saturation.
2020
India Ink on Paper
By Regina Kong '22
Stand Up
I painted a woman who is battered but is pushing herself back up with resiliency. She sends a message of hope to those facing difficulties.
2017
acrylic on wood
By Helena Zhang '22
Figure 57
A fun, surreal piece exploring themes related to the modern food industry.
2014
Watercolor on Paper
By Noah DeWald '20
The claw (updated)
As a landscape photographer, I like to see things in different light. These represent my personal interpretation of Stanford.
2017
Photo
By Lining Sun '18
Divination Is In Our Hands Now
Series of 22 photographs reimagining tarot cards (Rider-Waite deck Major Arcana), to reflect the diversity and complexity of the contemporary world.
2018
Digital Photographs
By Kevin Chappelle '19
Something You Should Know
Winter 2017, I wrote my first song, ‘Something You Should Know’. After working on the lyrics, production and recording for two years here it is!
2019
Song available on all streaming platforms (spotify, apple music)
By Trish Shetty '19
No RECAmpense
I made these photos at the abandoned Oppenheimer film set in Ghost Ranch, NM. Downwinders in NM harmed by test radiation remain uncompensated by RECA.
2023
35mm Photography
By Weston Keller '27
Nangeli
The mural shows Nangeli – an Ezhava Dalit woman, who had cut off her one breast in protest against the breast tax system in Travancore, Kerala.
2022
Mural
By Aatika Singh '28
Renowned Bodies
This work is a triptych of body parts from several acclaimed works by Renaissance artists. The famous works are reimagined in a modern style.
2018
Acrylic Paint on Canvas
By Susy Manrique '19
Figure 57
This artwork examines the place of genetically modified organisms in modern society and how we view them, blurring the line between item and organism.
2014
fine-tip pen and watercolor on paper
By Noah DeWald '20
Stanford
This drawing was an attempt to capture my feelings about Stanford: an intimidating fortress of possibilities.
2018
Markers on paper
By Alejandro Poler '19
Last Light over Coit Tower
The setting sun casts a firey light onto the skyline of San Francisco, with Coit Tower visible over the hills of the city.
2022
Oil paint on canvas
By Christina Kent '22
Crushed
Popular Korean and American soda brands represent my Korean-Americanness, and the crushing pressures of assimilation that warps self-perception.
2021
Acrylic Paint on Canvas
By Hannah Cha '25