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body of evidence
This 5-page word-art series explores the way emotion and memory lives in the body through experimentation with colour.
2023
Mixed media (watercolor, charcoal pencils, pencil) on sketch paper
By Smiti Mittal '23
Spin
Abstract photography with the goal of rendering mundane objects unrecognizable.
2018
Photography
By Noah DeWald '20
untitled (screen painting)
A medium exploration of painting on windows screens.
2018
window screens, oil paint
By Vivienne Le '19
Clyde
This piece is of my neighbor’s beagle, Clyde. She has two dogs, and the other is named Bonnie!
2016
Colored pencil
By Angela Liu '23
Trying to Forgive
This piece grapples with the difficulty of forgiveness. Opposing forces compete: luminosity and shadow, serenity and grief, redemption and regression.
2022
Oil on canvas
By Jackie Liu '25
hide my emotions
Hide my anger behind flowers // my anxiety behind moths // my sadness behind ▓▓▓
2018
Photoshop
By Angela He '21
No RECAmpense
I made these photos at the abandoned Oppenheimer film set in Ghost Ranch, NM. Downwinders in NM harmed by test radiation remain uncompensated by RECA.
2023
35mm Photography
By Weston Keller '27
Moral Support
With a color palette and thematic melancholy inspired by Picasso’s Blue Period, this intimate vignette chronicles my experience with depression.
2023
Oil on wood panel
By Jackie Liu '25
Where Language Begins and Does Not End
An exploration of the intergenerational and varied manifestations of Japanese internment on the self, the body, the family, and language.
2018
acrylic and mixed media
By Syd Westley '21
Divination Is In Our Hands Now
Series of 22 photographs reimagining tarot cards (Rider-Waite deck Major Arcana), to reflect the diversity and complexity of the contemporary world.
2018
Digital Photographs
By Kevin Chappelle '19
Untitled
A collage made from mind media upon reflection of a quarter of studying the classics in Stanford’s freshman SLE residential program.
2018
Mixed Media/Collage
By Lilith Frakes '21
Vortex
An experiment with my visual synesthesia, which imparts color on 2D shapes. This piece intends to instill a sense of curious serenity.
2016
Digital Visual Art
By Andrew Lesh '19
The claw (updated)
As a landscape photographer, I like to see things in different light. These represent my personal interpretation of Stanford.
2017
Photo
By Lining Sun '18
self – portrait
This piece is a self-portrait that puts emphasis on gaze and light to convey a subject that is emerging from the shadows.
2018
Oil Paint on Canvas
By Esther Omole '21
Digital Art
I painted a face digitally, and I like frames, angels, and rocket ships.
2020
Digital Art
By Majorca "Jorie" Bateman-Coe '20