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Alex Fu '22
Not sure if this counts, but I created a Stanford logo made from many smaller photos. I can make another one, from more interesting photos.
2020
Digital Photograph
By Alex Fu '22
Mount Daly in Snowmass, Colorado
2022
Gouache paint on watercolor paper
This piece explores gender. On the left are stereotypically feminine things, on the right masculine, and in the middle a “beautiful” mix of the two.
2019
Photograph/Scanned Image
The security blanket is a metaphor for something we cling to when we are afraid and how it is something we must learn to let it go.
Link to Website
Photography
This is how your friend from high school looks at you–knowing you’re different now, knowing she’s different now.
2014
Color Film
Hide my anger behind flowers // my anxiety behind moths // my sadness behind ▓▓▓
2018
Photoshop
Amid noise and glitches, serenity emerges as data flows, lines converge, existing and dissipating simultaneously.
2024
Video Art (with sound)
These three prints depict tide pool scenes in Moss Beach, CA. They are part of a series, “From Puddles to Pools: A Showcase of Marine Invertebrates.”
Sea Slug is a woodcut and the other two are etchings.
This work is about rupture and disruption, whether environmental, familial, or linguistic. I wanted to think visually about over-saturation.
India Ink on Paper
This piece is a self-portrait that puts emphasis on gaze and light to convey a subject that is emerging from the shadows.
Oil Paint on Canvas
This drawing was an attempt to capture my feelings about Stanford: an intimidating fortress of possibilities.
Markers on paper
August on my family’s ranch in Jalisco, México.
2017
Environmental Photographs
Lush layers of volanoes, forest fires, tsunamis are interwoven with snarling dogs, invoking chaotic and powerful forces of nature. 30″ x 40″.
Oil paint and thread on canvas
Sea Glass is a poem I wrote in high school about fearing going to college. I transformed it into a book with watercolor paintings and text designs.
2023
Art book
This 5-page word-art series explores the way emotion and memory lives in the body through experimentation with colour.
Mixed media (watercolor, charcoal pencils, pencil) on sketch paper
This piece is of my neighbor’s beagle, Clyde. She has two dogs, and the other is named Bonnie!
2016
Colored pencil
De-identified photograph taken for artistic purposes with permission from anatomy professors.
2015
Photograph
Roses bloom from her cuts.
Growing up in Iran taught me that limitation breed creativity. I tried to embody the same lesson by using alternative printing methods in the darkroom
Black & white photography
Taken at Felt Lake during one of the field trips of MI 70Q: Photographing Nature, featuring a IntroSem student of the course.
I met this young girl at a rural health clinic in Indonesia, where she had just given birth.
Pencil and paper