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Cairo Mo '20
An observational abstract of seaweed washing onto a beach, brought in by the tide. 24″ x 30″.
2018
Oil paint on canvas
By Cairo Mo '20
As a landscape photographer, I like to see things in different light. These photos represent my personal interpretation of Stanford.
2017
Photo
A visual exploration of ZIP, a drug currently in development used to treat PTSD by directly erasing targeted memories.
Mixed Media
This piece highlights the importance of community and hope in the midst of a pandemic, despite physical separation from others.
2020
Acrylic on Canvas
Contemplating place in the West, while memories of home in the South persist.
Acrylic on Canvas 40 x 30 in
A wristwatch lies across a keyboard with numbers juxtaposing letters, emphasizing how some things are not meant to be rushed and will happen in time.
2019
A colorful view of buildings and the sky over Florence (Firenze).
2014
Oil Paint on Canvas
This self portrait depicts how your initial view of the world glitches, or shatters as different experiences come with growing up.
Colored pencil
A contrast between the cold, grayish tones of the subject and the warmer ones of the koi around her as they mesh together following the fish’s flow.
2021
I created a visual representation of the concept of ‘truth’ in a minimalistic style represented by the light and woman’s bare shoulders.
Acrylic paint on canvas
Through the intimacy and vulnerability of sleep, I convey my boyfriend’s personality, embodied presence, and imprint – literally and metaphorically.
2022
Oil on canvas
A collage made from mind media upon reflection of a quarter of studying the classics in Stanford’s freshman SLE residential program.
Mixed Media/Collage
A portrait of a good dog who has traveled a very long way.
Acrylic Paint on Canvas
Released some restless energy onto paper with this portrait sketch.
Graphite on Paper
This is how your friend from high school looks at you–knowing you’re different now, knowing she’s different now.
Color Film
This piece depicts how TikTok primarily portrays a fetishized version of Asian women, leading to an uncertain digital future of complicated dynamics.
Linoleum Block Print on Paper
Self portrait at the height of COVID and my own extraordinary depression.
With a color palette and thematic melancholy inspired by Picasso’s Blue Period, this intimate vignette chronicles my experience with depression.
2023
Oil on wood panel
Series highlighting experiences with environmental change, connection to place, and emotional displacement by collaging satellite maps with portraits.
Photography/digital collage
A series of poems written exclusively with programming keywords. An investigation on language, audience, and dangerous English-centric thinking.
Link to Website
code poems
This series is meant to bring inspiration, energy and presence to the broader community during a difficult time of shelter-in-place and quarantine.
Acrylic gouache on Yupo Polypropylene Paper