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Katie Han '23
This painting speaks to how beauty lies in impermanence, contrasting eternal mountains and passing mist.
2023
ink on rice paper; poetry
By Katie Han '23
India to America. When the kids go to school everyday, they can see our own school, and not feel so far, despite being halfway around the world.
2017
Enamel Paint
Warm summer portrait of girl reading.
Link to Website
2018
Photoshop
This work is based off of a found photo archive of World War I era battle photographs. It is from a series that investigates the role of the soldier.
2016
Acrylic, charcoal, and india ink on paper
This is how your friend from high school looks at you–knowing you’re different now, knowing she’s different now.
2014
Color Film
An exploration of the intergenerational and varied manifestations of Japanese internment on the self, the body, the family, and language.
acrylic and mixed media
This piece emerged from a desire to merge figurative and abstract forms. (there are some flaws in the .jpg, if needed I can retake pictures)
2015
Acrylic on Canvas
These two paintings were inspired by the feelings of quarantine—isolation, restlessness, and nostalgia.
2020
gouache (two images combined digitally)
Inspired by the works of Nina Katchadourian, this piece uses materials scavenged from the Stanford campus to explore the definition of “city.”
Paper Maps on Cardboard
This drawing was an attempt to capture my feelings about Stanford: an intimidating fortress of possibilities.
Markers on paper
This piece grapples with the difficulty of forgiveness. Opposing forces compete: luminosity and shadow, serenity and grief, redemption and regression.
2022
Oil on canvas
A cat in a Japanese restaurant.
2019
3D computer graphics
These photographs were taken in Aegina, Greece. During ancient times Aegina was a rival of Athens, the great sea power of the era.
Digital Photographs
I took this photo at the Palo Alto Caltrain station in the fall. I used black ink and a black and white filter to provide an “outside of time” look.
Digital Photograph
Girl restrains her tears for, hopefully, the last time.
I wanted to depict the endless possibilities of this world; the one we are so used to taking for granted.
Acrylic on canvas
I wanted to render a tree during a vibrant morning on The Farm from a design perspective.
Ink Resist
This is a photo taken in the Main Quad.
Representation of an Asian woman navigating a worldwide pandemic, situated in the centre of racial prejudice, capitalism, & social media connectivity.
Scanned magazine collage, colour pencils, and pen on Sketchbook
The sky disc’s dynamic effects on viewing the sky were photographically documented over the course of a sunrise and a sunset.
Installation: printed plastic sheeting (pictorico), fishing wire
“David” is a 3D bust loosely based on Michelangelo’s piece of the same name. Inspired by the music video of “Money for Nothing” by Dire Straits.
Blender 3D Render