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Katie Han '23
Shriram California photos
2019
Digital photographs
By Katie Han '23
This song is a unique take on John Coltrane’s ‘Impressions’ in terms of instrumentation, style, and genre.
Link to Website
2016
Guitar recording with electronic drums and synths
A collage with the background of a digital re-illustration of Hokusai’s The Great Wave Off Kanagawa to portray our poor disregard and care of Earth.
Digital illustration and collage
As a landscape photographer, I like to see things in different light. These photos represent my personal interpretation of Stanford.
2018
Photo
This is a painting of me as a child, my mom, and my grandma at the beach. It symbolizes the treasure that is family and togetherness.
2022
Acrylic Paint on Canvas
A portrayal of the death of Chaos as depicted in the Zhuangzi, who expired after Shu and Hu bored a new hole into him each day for seven days.
2015
Digital Visual Art
This photography series depicts the four indigenous Khmer women at Stanford, invisibility, and the consequent strong community we formed.
2020
Photography Series
This drawing is a representation of a fractal called a Julia set, which has been rendered out of plants and other organic elements.
Markers on paper
I play hide and seek with the scars from a clumsy childhood that my Korean family always told me to hide.
2021
Who are our parents before our births? I wanted to use painting to meditate on loss concretized as memory.
Oil on Canvas
A piece set on a quiet, sunny afternoon in Northeast Italy. Used a reference.
Colored Pencil on Paper
Taken at Felt Lake during one of the field trips of MI 70Q: Photographing Nature, featuring IntroSem students and Continuing Studies students.
Photograph
Contemplating place in the West, while memories of home in the South persist.
Acrylic on Canvas 40 x 30 in
Our hands – bridges, sinewy tendons & arteries – among the last parts dissected because of their distinctly human character.
Photography; De-identified photo taken for artistic purposes with permission from anatomy professors.
I sought to express the conflicting emotions-guilt as well as pleasure-associating with eating cake.
Ink Resist on Paper
How does the lover’s gaze interpret and transform the body? What does it mean to paint the beloved intimately yet leave them unidentifiable?
Acrylic on canvas
This piece is a portrait of a friend that overlays an island near the Philippines that has a deep personal association for her from her time there.
2017
Oil Paint on Canvas
With a color palette and thematic melancholy inspired by Picasso’s Blue Period, this intimate vignette chronicles my experience with depression.
2023
Oil on wood panel
This print came from a colored pencil drawing I made for a friend. I thought it’d be sweet to make a sort of postcard from it.
2024
Four color Riso print
My piece comments on the movement of youth in Mexico towards narco culture and the dire implications it has for more traditional aspects the culture.