View Public Art
Saturday, October 26
Buy tickets
Start Making
By Topic
Career Pathways
Other Opportunities
Learn More
About Us
People
Connect with us
Annie Ng '20
This piece uses classical aesthetics to explore man’s grief and natural processes, exploring the idea that humans can create, inform, and be nature.
2017
Charcoal and Pencil on Paper
By Annie Ng '20
Silhouette of a black woman, breathing her way through.
2020
Acrylic on Canvas
With a color palette and thematic melancholy inspired by Picasso’s Blue Period, this intimate vignette chronicles my experience with depression.
2023
Oil on wood panel
This piece depicts a fictionalized memory of my grandfather, who I only knew through his woven hats and birds passed down through my family.
Oil Paint on Canvas
This self portrait depicts how your initial view of the world glitches, or shatters as different experiences come with growing up.
Colored pencil
How does the lover’s gaze interpret and transform the body? What does it mean to paint the beloved intimately yet leave them unidentifiable?
2022
Acrylic on canvas
These pictures were taken during a neurosurgery at Stanford’s Lucile Packard Children hospital.
Digital photography
Thousands of stippled dots layer on each other to create each gargoyle and rooftop, coming together to reveal the magnificent, historical spire.
Pen and Ink
This piece grapples with the difficulty of forgiveness. Opposing forces compete: luminosity and shadow, serenity and grief, redemption and regression.
Oil on canvas
As a landscape photographer, I like to see things in different light. These represent my personal interpretation of Stanford.
Photo
A classic San Francisco house is bathed in orange light at sunset.
Oil paint on panel
A vivid rainbow above the hoover tower
Photograph of nature
An ongoing series attempting to create an emotive instant through color theory principles
Warm summer portrait of girl reading.
Link to Website
2018
Photoshop
The feet of my former roommate are greeted by the warm light that streams in through the blinds.
February is a gray month, but these flowers bloomed anyway. Link to Artwork
2024
sublimation print on synthetic blue satin
These monotype prints are based on historical photos of imperial palaces in Beijing, my hometown.
2019
monotype on paper
Commenting on our smallness in comparison to all we have to face – be it a pandemic, the vastness of the ocean, or history. Our smallness is humbling
acrylic on cardboard
A collage with the background of a digital re-illustration of Hokusai’s The Great Wave Off Kanagawa to portray our poor disregard and care of Earth.
Digital illustration and collage
Inspired by the strange reflection of an empty glass sitting on a table, this is a piece is about power and powerlessness—control and lack of it.