Learn
Career Pathways
Other Opportunities
Support
About
People
Connect with us
Resources For
Sonic Ovum
This piece started as a blank page and turned into a take on modern ignorance rendered in colored pencil and typewriter ink.
Link to Artwork
2020
colored pencil, poetry
By Sam Howell Petersen '23
Doorway to Stanford
India to America. When the kids go to school everyday, they can see our own school, and not feel so far, despite being halfway around the world.
2017
Enamel Paint
By Tyler Su '20
Green Library -2
As a landscape photographer, I like to see things in different light. These photos represent my personal interpretation of Stanford.
2017
Photo
By Lining Sun '18
Frank’s Blue
This work is based off a creative non-fiction short story I wrote about my childhood relationship with my father.
2017
Oil on Canvas
By Francesca Colombo '19
Moss Landing
Inspired by a trip to explore the nature preserves in Mass Landing, CA, this art showcases two curlew birds looking for food in the shallow waters.
2017
Watercolor and Pencil
By Alberto Arvayo '18
Main Quad Blues
Original cover art for the Stanford Daily’s Vol. 257 autumn quarter issue.
2019
Digital Illustration
By Helen He '23
from now on
This painting speaks to how beauty lies in impermanence, contrasting eternal mountains and passing mist.
2023
ink on rice paper; poetry
By Katie Han '23
Digital Future
This piece depicts how TikTok primarily portrays a fetishized version of Asian women, leading to an uncertain digital future of complicated dynamics.
2022
Linoleum Block Print on Paper
By Hannah Cha '25
Nangeli
The mural shows Nangeli – an Ezhava Dalit woman, who had cut off her one breast in protest against the breast tax system in Travancore, Kerala.
2022
Mural
By Aatika Singh '28
More Than A Living Goddess
Kumari, the living Goddess of Nepal, is not allowed to speak to those who worship her, yet her glowing eyes depict that she has so much to tell us.
2022
Graphite
By Nisha Acharya '26
Bruises
Western media creates unrealistic expectations of perfection in avocados. In this painting, I seek to challenge and redefine avocado beauty standards.
2016
Oil on canvas
By Nan Munger '20
Figures in Ochre
These small paintings were quick, gestural sketches that explore the beauty of the feminine form.
2018
Oil on canvas
By Cathy Yang '20
Il Fait Noir
Man passing through a quickly gentrifying neighborhood in Paris. The text reads “it is dark (or literally, black) in the country of lights.”
2019
Photograph of Man in Paris
By Charlie Jarvis '19
