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Nothing compares to seeing a work of art in person, but there might also be nothing compared to examining a high- resolution image of a work of art that reveals details not visible to the naked eye – at least a naked eye viewing from behind a velvet rope or through protective Plexiglas. The closer-than-you-can-get-in-person…
As a landscape photographer, I like to see things in different light. These photos represent my personal interpretation of Stanford.
2018
Photo
By Lining Sun '18
This piece is a self-portrait that puts emphasis on gaze and light to convey a subject that is emerging from the shadows.
2018
Oil Paint on Canvas
By Esther Omole '21
A fantastical city illustrating a water-based transportation system.
2020
Digital painting
By Catherine Mullings '22
This series was taken at the Smithsonian Natural History Museum’s Butterfly Pavilion.
2019
Series of Photographs
By Laura Anderson '21
A three panel survey of a new environment.
2018
Acrylic on Canvas (Three 5ft x 4ft panels) 60 x 144 in
By Gunner Dongieux '21
Rendering of a modern jazz pavilion, referencing the visual skeleton chord structure of jazz compositions.
2018
Digital Rendering
By Akshay Dinakar '19
Stillness, the relationship between Venice’s constant landscape and its moving parts, environments of order that have witnessed extravagant change
2018
acrylic on canvas
By Vedika Kanchan '23
A collage with the background of a digital re-illustration of Hokusai’s The Great Wave Off Kanagawa to portray our poor disregard and care of Earth.
2019
Digital illustration and collage
By Elaine Park '21
This piece is of my neighbor’s beagle, Clyde. She has two dogs, and the other is named Bonnie!
2016
Colored pencil
By Angela Liu '23
Body painting is used to simulate the patient-doctor relationship. Imagery is inspired by anatomy and the model’s bodily experiences.
2020
Body Paint on Skin
By Savannah Mohacsi '20
