View Public Art
Saturday, October 26
Buy tickets
Start Making
By Topic
Career Pathways
Other Opportunities
Learn More
About Us
People
Connect with us
Victoria Lin '27
A commentary on the fifth stage of grief: acceptance.
2021
Acrylic on Canvas
By Victoria Lin '27
These pictures were taken during a neurosurgery at Stanford’s Lucile Packard Children hospital.
2017
Digital photography
Abstract photography with the goal of rendering mundane objects unrecognizable.
2018
Photography
I catch lightning bugs, flitting moments often overlooked, and bring attention to them, so that they might spark a lightbulb in the minds of others.
MultiMedia(Charcoal and Colored Pencil)
These two paintings were inspired by the feelings of quarantine—isolation, restlessness, and nostalgia.
2020
gouache (two images combined digitally)
My piece comments on the movement of youth in Mexico towards narco culture and the dire implications it has for more traditional aspects the culture.
Acrylic Paint on Canvas
History is tied to humanity. There is something heartening about a city that takes pride in its past.
acrylic on canvas
This is the place no one would want to miss.
Photo
In “Buried,” I used collage and layering to express the haunting suspicion of a seemingly ordinary event. The nostalgia oblivious bliss.
2023
Mixed Media: paper collage with ink and watercolor
These collages were created from material gathered from a variety of found sources—primarily Life, National Geographic, and Time magazines.
Collage & ink pen
Original cover art for the Stanford Daily’s Vol. 257 autumn quarter issue.
2019
Digital Illustration
I painted this painting following the death of my dog. Sourcing imagery from cheap print and Southern nostalgia, Lassie paints a scene of rebirth.
A series of poems written exclusively with programming keywords. An investigation on language, audience, and dangerous English-centric thinking.
Link to Website
code poems
I painted one piece for each type of binaural beat to test the hypothesis, “distinct beat = distinct effect.” Conclusion? It didn’t really pan out.
Watercolor on Paper
This painting is an interpretation of Magritte’s surrealist painting “The Mysteries of the Horizon,” replacing the men with an aging ballerina.
Acrylic paint on canvas
Location: Main Quad
These photos will never be published in a journalistic publication – familiar scenes on campus but different, the other side of palm tree paradise?
Photograph of campus scenes
inspired by Mondays, morning showers, and an addiction to caffeine.
Digital illustration
Submersion is a painting that experiments with figure in distortion, and blends the organic elements of nature with human form.
2015
My family, despite being cramped in a bungalow room that was our home, share warmth and happiness beyond understanding.
Representation of an Asian woman navigating a worldwide pandemic, situated in the centre of racial prejudice, capitalism, & social media connectivity.
Scanned magazine collage, colour pencils, and pen on Sketchbook