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Victoria Lin '27
A commentary on the fifth stage of grief: acceptance.
2021
Acrylic on Canvas
By Victoria Lin '27
Mount Daly in Snowmass, Colorado
2022
Gouache paint on watercolor paper
A visual exploration of ZIP, a drug currently in development used to treat PTSD by directly erasing targeted memories.
2018
Mixed Media
Popular Korean and American soda brands represent my Korean-Americanness, and the crushing pressures of assimilation that warps self-perception.
Acrylic Paint on Canvas
This is the moment when the smallest to the biggest invisibilities came to life, and unity in faith and science was apparent.
2016
Wax Pastel on Wood
This work centers on the relationship between the human and the artificial, inspired when I photographed my cousin with a stark, artificial flash.
2023
Oil and Acrylic Paint on Canvas
Taken at Jasper Ridge Biological Preserve during one of the field trips of MI 70Q: Photographing Nature.
2019
Photograph
San Francisco at dusk is illuminated by pinpoints of light on the distant hills.
Oil paint on panel
This is a portrait of a cat whom I love and cherish.
Oil on canvas
As a landscape photographer, I like to see things in different light. These photos represent my personal interpretation of Stanford.
Photo
I play hide and seek with the scars from a clumsy childhood that my Korean family always told me to hide.
Quad is always changing amazingly.
2017
This work is made with acrylic on campus in addition to found paper items, medical textbooks, and other materials.
Acrylic paint and multimedia on canvas
The Andromeda constellation re-imagined, through drawing, through burning holes in paper; how do we impose humanity upon the stars?
Charcoal on paper; flame on tracing paper
An abstract piece with a collage element, created from splicing a collaborative image. It invokes a sense of depth and the condensation of space.
Oil paint and paper on paper
With a color palette and thematic melancholy inspired by Picasso’s Blue Period, this intimate vignette chronicles my experience with depression.
Oil on wood panel
Both works are depictions of traditional Catholic religious figures figured through an assemblage of inanimate objects.
Graphite and watercolor on paper
My mother in her monthly kimchi-making ritual, a food that I learned to take pride in despite being initially ashamed of it.
2020
A self-portrait composed of identity objects: rings from my mother, the teapot on my coffee table, the graphic on my favorite t-shirt, etc.
Digital Collage
A realistic painting of a dog mouth, rendered uncomfortably close to the viewer. 8″ x 10″.
Oil paint on canvas