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Victoria Lin '27
A commentary on the fifth stage of grief: acceptance.
2021
Acrylic on Canvas
By Victoria Lin '27
A medium exploration of painting on windows screens.
2018
window screens, oil paint
Original cover art for the Stanford Daily’s Vol. 257 autumn quarter issue.
2019
Digital Illustration
How do you heal after being discarded?
An ode to a few of many meaningful moments shared with friends over a cafe drink – Coffee at Peet’s, Chai by Meyer Green, and Matcha over Zoom.
2024
Gouache on Paper
A study on ephemeral hands, and an attempt to capture desperate grasping.
2014
Gesso on card.
Bright orange poppies burst into the foreground framed by cool blue houses behind.
2022
Oil paint on panel
In “Buried,” I used collage and layering to express the haunting suspicion of a seemingly ordinary event. The nostalgia oblivious bliss.
2023
Mixed Media: paper collage with ink and watercolor
This piece was inspired by the many rooftop cafes and stunning views of the Bosphorus River while I was exploring Istanbul on a summer vacation.
2017
Adobe Photoshop Illustration
While at SFMOMA with Stanford’s ITALIC program, I created this self-portrait to explore the merging of technology with my image of self.
Photograph
Mimicking the beauty of bioluminescence.
Link to Website
Digital Photography
Girl restrains her tears for, hopefully, the last time.
Photoshop
I painted a face digitally, and I like frames, angels, and rocket ships.
2020
Digital Art
A portrait of a good dog who has traveled a very long way.
Acrylic Paint on Canvas
The rising sun in the bay turns typically unaesthetic man-made transmission towers into a beautiful contrast of light and dark.
Photography
The sky disc’s dynamic effects on viewing the sky were photographically documented over the course of a sunrise and a sunset.
Installation: printed plastic sheeting (pictorico), fishing wire
This work showcases cultural connection and displacement. The food that should be on your table is now hung on a wall, commemorated but inaccessible.
Monoprints on food wrapping paper, laser cut stencils
This work is based off a creative non-fiction short story I wrote about my childhood relationship with my father.
Oil on Canvas
Inspired by the strange reflection of an empty glass sitting on a table, this is a piece is about power and powerlessness—control and lack of it.
Acrylic on canvas
This piece was made the week before quarantine when everything was uncertain and the weight of not knowing what was to come next hung over our heads.
Boulder & Rope
A realistic painting of a dog mouth, rendered uncomfortably close to the viewer. 8″ x 10″.
Oil paint on canvas