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Hashimoto
Stanford Graduate School of Education (GSE)

The Gravity of the Sun by Jacob Hashimoto

 

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AAEAAQAAAAAAAAkkAAAAJGI3NTVlMjUyLTRkOGYtNDVjZC04NzZkLTc5ODI4NDQxZDY4Nw - Stephen Henderson
Performance

Stephen Henderson

Saturday, October 26

 

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Pars pro Toto (Alicja Kwade, 2021), a new art installation on Stanford’s Science and Engineering Quad, reaches for the cosmos while staying grounded in the geological history of our planet.

Stanford Arts - Momentum

 

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Nibha Akireddy '

Bh

Artwork: Bh

2020

Oil on Canvas

By Nibha Akireddy '

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← A Still from At Bay: Chapter One – How to Start a Startup
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Glacier Portrait

I made this painting in Iceland as part of my Chappell-Lougee arts project. It is a portrait of a glacier in the glacier lagoon known as Jökulsárlón.

2016

Mixed media (oil paint, charcoal, pastel, grass) on canvas

By Tyler Dunston '18

Humanity in the operating room

These pictures were taken during a neurosurgery at Stanford’s Lucile Packard Children hospital.

2017

Digital photography

By Soraya Fereydooni '20

It’s a brilliant surface in that sunlight

I captured this while camping in Colorado. Upside down the sunrise reflected in the mist covered water reminded me of Earth’s curvature from space.

2015

Digital Photograph

By Cora Cliburn '19

Graphic Life

A series of photo edits of everyday moments at Stanford.

2017

Digital Art

By Jeramiah Winston '19

Andromeda

The Andromeda constellation re-imagined, through drawing, through burning holes in paper; how do we impose humanity upon the stars?

2016

Charcoal on paper; flame on tracing paper

By Zhanpei Fang '19

Detritus

How do you heal after being discarded?

2021

Acrylic on Canvas

By Victoria Lin '27

skytree: levels

Reflective watercolor painting after a trip to Tokyo.

2016

Watercolor

By Anna Lai '19

Stanford

BEAM Stanford-related photos

2019

Digital photographs

By Katie Han '23

Sleepyhead

Through the intimacy and vulnerability of sleep, I convey my boyfriend’s personality, embodied presence, and imprint – literally and metaphorically.

2022

Oil on canvas

By Jackie Liu '25

On How to Land a Kiss

This piece explores duality in behavior: relaxing the tongue can provide a positive experience during kissing, but can prove deadly with sleep apnea.
Link to Artwork

2022

Writing

By Tyler Newman '25

The Countour

The Countour of White Sands NP

2023

Photograph

By Weilai Yu '22

primavera sin cueva

This print came from a colored pencil drawing I made for a friend. I thought it’d be sweet to make a sort of postcard from it.

2024

Four color Riso print

By Galia Santana-Oikawa '25

Portrait of a Glass, Empty (2020); Barriers (2021)

Two paintings exploring emptiness and isolation, and confronting feelings of lack of control during the early stages of the pandemic.

2021

Acrylic on canvas, some collage from a news story

By Vrinda Suresh '21

Art Library

This photo was taken in the McMurty Art Building. I used black paint in photoshop to highlight the lights and computer.

2016

Digital Photograph

By Connor Gilmore '21

Frank’s Blue

This work is based off a creative non-fiction short story I wrote about my childhood relationship with my father.

2017

Oil on Canvas

By Francesca Colombo '19

Crushed

Popular Korean and American soda brands represent my Korean-Americanness, and the crushing pressures of assimilation that warps self-perception.

2021

Acrylic Paint on Canvas

By Hannah Cha '25

Time to Spare

I took this photo at the Palo Alto Caltrain station in the fall. I used black ink and a black and white filter to provide an “outside of time” look.

2016

Digital Photograph

By Connor Gilmore '21

Flames

A study on ephemeral hands, and an attempt to capture desperate grasping.

2014

Gesso on card.

By Katherine Yang '20

Portrait of a Queer Person

Abstract portrait that transcends the restrictions of the body and provides the opportunity for anyone of any background to identify with the piece.

2022

Acrylic Paint on Wood

By Aileen Rubio '26

Stand Up

I painted a woman who is battered but is pushing herself back up with resiliency. She sends a message of hope to those facing difficulties.

2017

acrylic on wood

By Helena Zhang '22
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