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The setting sun casts a firey light onto the skyline of San Francisco, with Coit Tower visible over the hills of the city.
2022
Oil paint on canvas
By Christina Kent '22
This piece combines a photograph taken of a mural in Palo Alto with a vintage National Geographic photograph of the same location.
2017
Digital Collage
By Delaney Rua '20
This work is based off of a found photo archive of World War I era battle photographs. It is from a series that investigates the role of the soldier.
2016
Acrylic, charcoal, and india ink on paper
By Ali Vaughan '19
Not sure if this counts, but I created a Stanford logo made from many smaller photos. I can make another one, from more interesting photos.
2020
Digital Photograph
By Alex Fu '22
Location: Law School terrace
2020
Digital Illustration
Taken at Felt Lake during one of the field trips of MI 70Q: Photographing Nature, featuring a IntroSem student of the course.
2019
Photograph
By Yifei He '22
The piece is inspired geometric subdivision, tessellations and fractals, fusing representations from Chinese, Japanese, and Japanese symbolisms.
2017
Laser Cut Birchwood
By Kimberly Te '20
A surreal portrayal of the cost of modern designer fashion culture.
2015
Scratchboard
By Noah DeWald '20
As a landscape photographer, I like to see things in different light. These photos represent my personal interpretation of Stanford.
2017
Photo
By Lining Sun '18
I painted this painting following the death of my dog. Sourcing imagery from cheap print and Southern nostalgia, Lassie paints a scene of rebirth.
2019
By Gunner Dongieux '21
A portrayal of the death of Chaos as depicted in the Zhuangzi, who expired after Shu and Hu bored a new hole into him each day for seven days.
2015
Digital Visual Art
By Andrew Lesh '19
A classic San Francisco house is bathed in orange light at sunset.
2022
Oil paint on panel
By Christina Kent '22
This piece started as a blank page and turned into a take on modern ignorance rendered in colored pencil and typewriter ink.
Link to Artwork
2020
colored pencil, poetry
By Sam Howell Petersen '23