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Lily Thai '27
No Description
2022
Watercolor on Paper
By Lily Thai '27
How do you heal after being discarded?
2021
Acrylic on Canvas
These metallic flowers portray our future if we continue to condone industrial heavy metal pollution. Each flower is one of my original designs.
2024
Original origami flowers on red and silver foil paper; Arranged with silk leaves
I wanted to depict the endless possibilities of this world; the one we are so used to taking for granted.
2018
Acrylic on canvas
A contrast between the cold, grayish tones of the subject and the warmer ones of the koi fish as the two tones mesh following the flow of the fish.
Oil Paint on Canvas
Taken at Baylands Nature Preserve during one of the field trips of MI 70Q: Photographing Nature, featuring a student and a community member.
2019
Photograph
A Joshua Tree, with its grotesque appearance, instantly demands attention.
Photograph of Landscape
This is a theatrical self portrait. Fractured light plays off a calm, restrained figure, creating tension and a sense of impending violence. 24″ x 30″
Oil paint on canvas
As a landscape photographer, I like to see things in different light.
2016
Photo with artistic editing
This piece tackles the topic of invisible disabilities and the stigma that many invisibly disabled people, myself included, face.
Photograph on Canvas, Embroidery
An abstract perspective of a cityscape.
Water Color on Paper
History is tied to humanity. There is something heartening about a city that takes pride in its past.
acrylic on canvas
Our hands – bridges, sinewy tendons & arteries – among the last parts dissected because of their distinctly human character.
2015
Photography; De-identified photo taken for artistic purposes with permission from anatomy professors.
Quad is always changing amazingly.
2017
Photo
This self-portrait draws on the iconography of the Virgin of Guadalupe that I, as a latina, have a deeply personal, non-religious, relationship with.
This work converts content into physical form. Charlie Chan, played by white actors in yellowface, investigates murders. But who is he really hurting?
Ink and print on wood
This piece uses classical aesthetics to explore man’s grief and natural processes, exploring the idea that humans can create, inform, and be nature.
Charcoal and Pencil on Paper
Girl restrains her tears for, hopefully, the last time.
Photoshop
Pinned parts of a traditional Vietnamese dress cut to my measurements. Through deconstruction, functionality and familiarity are lost.
2023
Charcoal and Mixed Media on Salvaged Cotton and Organza
De-identified photograph taken for artistic purposes with permission from anatomy professors.
I love the idea of a personal brand, especially in 2016.
2014
Color Film