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Victoria Lin '27
How do you heal after being discarded?
2021
Acrylic on Canvas
By Victoria Lin '27
Forms of intimacy—emotional, physical, intellectual, spiritual—overlap in these abstract shapes. Intimacy is fluid, not rooted in rigid definitions.
2022
Wood Sculpture
I loved this photograph my mom took on our trip to Kenya, and I wanted to recreate the beautiful designs on the fabric here.
2016
Charcoal
A wristwatch lies across a keyboard, the numbers juxtaposing the letters and a soft, glowing gleam reflecting across its surface.
2019
Acrylic Paint on Canvas
Often, I find myself missing the changing of seasons. But if I just look closely, signs of autumn are all around.
Nature Photography
“David” is a 3D bust loosely based on Michelangelo’s piece of the same name. Inspired by the music video of “Money for Nothing” by Dire Straits.
2018
Blender 3D Render
cloudy with a chance of love
2020
Digital illustration
With a color palette and thematic melancholy inspired by Picasso’s Blue Period, this intimate vignette chronicles my experience with depression.
2023
Oil on wood panel
An abstract piece with a collage element, created from splicing a collaborative image. It invokes a sense of depth and the condensation of space.
2017
Oil paint and paper on paper
These photos will never be published in a journalistic publication – familiar scenes on campus but different, the other side of palm tree paradise?
Photograph of campus scenes
As a landscape photographer, I like to see things in different light. These would represent my personal interpretation of Stanford.
Photo
Vero is a UG2 custodial worker on campus who I tutor through habla. I hoped to display her as I have grown to know her: strong and compelling.
Oil Paint on Canvas
Portrait of my friend, a queer black woman, in her room the night of the 2025 election results.
2024
Photojournalistic exploration of the human impact of rhino poaching in South Africa – done in Prof Sue McConnell’s overseas seminar in Summer 2016.
Link to Website
Photographs
The great horned owl is found at Stanford and throughout the Americas and is named for its distinctive ear tufts.
machine embroidery on cotton fabric
Location: Main Quad
Digital Illustration
A close-up, multi-colored rendering of Eppendorf tubes illustrates that Lab Life is not as monochromatic as it appears.
Oil paint on Canvas
Androids may dream of electric sheep, and electric sheep …
doodle
Submersion is a painting that experiments with figure in distortion, and blends the organic elements of nature with human form.
2015
Inspired by individuality and body empowerment. Work focuses on abstraction of human form and color.
Acrylic on canvas
As a landscape photographer, I like to see things in different light. These photos represent my personal interpretation of Stanford.