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Angela He '21
Roses bloom from her cuts.
2018
Photoshop
By Angela He '21
This is a photo taken in the Main Quad.
Exploring the weary determination of an aged subject shouldering generational burdens. Experimented with earthier and darker tones, deconstruction, an
2022
Oil Paint on Canvas
Quad is always changing amazingly.
2017
Photo
“Ritual” is an unfinished game prototype that is one piece of a meta-narrative that unfolds as the viewer explores the file directory containing it.
Link to Website
2020
Interactive narrative horror game/file explorer experience
Cool portrait of girl trying to keep in her tears.
Lush layers of volanoes, forest fires, tsunamis are interwoven with snarling dogs, invoking chaotic and powerful forces of nature. 30″ x 40″.
Oil paint and thread on canvas
The tradition of monuments uplifts cishet white men through idealized, bodily depictions of men, but queerness transcends the restrictions of the body
Acrylic paint on canvas
A three panel survey of a new environment.
Acrylic on Canvas (Three 5ft x 4ft panels) 60 x 144 in
These sculptures are abstract representations of my reflections on intimacy as being fluid, not rooted in rigid definitions.
Wood sculpture
Collage exploring feminist and bioethical discussions of reproductive technologies. Previously featured at the Medicine & the Muse Student Symposium. Link to Artwork
2024
print
The central focus of these prints is the vibrant potato starch granule depicted under polarized light and how its shape and colors are manipulated.
2023
Algorithmic Art made with Processing
I met this young girl at a rural health clinic in Indonesia, where she had just given birth.
2014
Pencil and paper
This piece looks into the intersection of queerness and religion in the age of the internet and digital upbringing.
Interactive Digital Work
Pinned parts of a traditional Vietnamese dress cut to my measurements. Through deconstruction, functionality and familiarity are lost.
Charcoal and Mixed Media on Salvaged Cotton and Organza
I made these photos at the abandoned Oppenheimer film set in Ghost Ranch, NM. Downwinders in NM harmed by test radiation remain uncompensated by RECA.
35mm Photography
Forms of intimacy—emotional, physical, intellectual, spiritual—overlap in these abstract shapes. Intimacy is fluid, not rooted in rigid definitions.
Wood Sculpture
Kaley, my plush fish who represents friendship (each of my friends has one) next to a bottle of medication to celebrate starting recovery recently.
Oil on Canvas
As a landscape photographer, I like to see things in different light. These represent my personal interpretation of Stanford.
inspired by Mondays, morning showers, and an addiction to caffeine.
2019
Digital illustration
I use this artwork to ask, “What has become of our childhood innocence?”
ink on paper, collage