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Cairo Mo '20
A depiction of the Southeast Alaskan landscape, seen from a kayak near the Inian Islands. 25.5″ x 36″
2017
Oil paint on paper
By Cairo Mo '20
This work showcases cultural connection and displacement. The food that should be on your table is now hung on a wall, commemorated but inaccessible.
2024
Monoprints on food wrapping paper, laser cut stencils
This self portrait addresses my invisible disability and the words around me are a mix of medical statements and emotional entries from my journal.
2018
Graphite on Paper
Open your eyes…this is the forest reverie, a queer healing space situated between mother nature and the digital world. Sleep tight.
Link to Website
2022
Photography
This is the first of an ongoing watercolor series completed under shelter-in-place, based on photos that friends have sent of their favorite views.
2020
Watercolor
This piece is a self-portrait that puts emphasis on gaze and light to convey a subject that is emerging from the shadows.
Oil Paint on Canvas
This piece uses classical aesthetics to explore man’s grief and natural processes, exploring the idea that humans can create, inform, and be nature.
Charcoal and Pencil on Paper
Western media creates unrealistic expectations of perfection in avocados. In this painting, I seek to challenge and redefine avocado beauty standards.
2016
Oil on canvas
India to America. When the kids go to school everyday, they can see our own school, and not feel so far, despite being halfway around the world.
Enamel Paint
Taken at Felt Lake during one of the field trips of MI 70Q: Photographing Nature, featuring a IntroSem student of the course.
2019
Photograph
Colorful shapes of San Francisco buildings are highlighted by a bright sunny day.
Oil paint on canvas
As a landscape photographer, I like to see things in different light. These photos represent my personal interpretation of Stanford.
Photo
This piece seeks to capture the way people burnout and lose themselves to fulfill the expectations of others.
Digital Illustration
These are part of an ongoing series of portraits of people I met in passing. They can be displayed together or individually.
In “Buried,” I used collage and layering to express the haunting suspicion of a seemingly ordinary event. The nostalgia oblivious bliss.
2023
Mixed Media: paper collage with ink and watercolor
This work is based off of a found photo archive of World War I era battle photographs. It is from a series that investigates the role of the soldier.
Acrylic, charcoal, and india ink on paper
Body painting is used to simulate the patient-doctor relationship. Imagery is inspired by anatomy and the model’s bodily experiences.
Body Paint on Skin
This project was done on a ten-day summer trip to my family’s ranch.
Environmental Photographs
Taken in Alberta, Canada. My hope is not to showcase landscapes but to acknowledge that Earth’s beauty surrounds us.
The security blanket is a metaphor for something we cling to when we are afraid and how it is something we must learn to let it go.