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Cairo Mo '20
A depiction of the Southeast Alaskan landscape, seen from a kayak near the Inian Islands. 25.5″ x 36″
2017
Oil paint on paper
By Cairo Mo '20
Commenting on our smallness in comparison to all we have to face – be it a pandemic, the vastness of the ocean, or history. Our smallness is humbling
2020
acrylic on cardboard
Open your eyes…this is the forest reverie, a queer healing space situated between mother nature and the digital world. Sleep tight.
Link to Website
2022
Photography
Indigo mountains and a somber gray sky are reflected in the clear water of Lake Tahoe.
Oil paint on canvas
A three panel survey of a new environment.
2018
Acrylic on Canvas (Three 5ft x 4ft panels) 60 x 144 in
This interactive poem takes the shape of a kimchi jar and symbolizes my separation and recent reunion and celebration of my Korean identity.
2023
3D Arduino installation, interactive poetry
Two girls, Cloud and Moon, are safe in space.
Photoshop
Popular Korean and American soda brands represent my Korean-Americanness, and the crushing pressures of assimilation that warps self-perception.
2021
Acrylic Paint on Canvas
As a landscape photographer, I like to see things in different light. These would represent my personal interpretation of Stanford.
Photo
Continuation of After Class Hours.
Digital Illustration
How do you heal after being discarded?
Acrylic on Canvas
This painting speaks to how beauty lies in impermanence, contrasting eternal mountains and passing mist.
ink on rice paper; poetry
Two paintings exploring emptiness and isolation, and confronting feelings of lack of control during the early stages of the pandemic.
Acrylic on canvas, some collage from a news story
A light spring shower wakes the soul. Inspired by the Adobe MAX + Inktober 2018 October 15th Prompt: light.
2019
This song is a unique take on John Coltrane’s ‘Impressions’ in terms of instrumentation, style, and genre.
2016
Guitar recording with electronic drums and synths
Both works are depictions of traditional Catholic religious figures figured through an assemblage of inanimate objects.
Graphite and watercolor on paper
Self portrait at the height of COVID and my own extraordinary depression.
Location: The Claw fountain, White Plaza Part of the virtual 2020 Stanford Gaieties musical scenery.
Video edited from found footage reflecting on the repetition, absurdity, and futility of everyday life. Duration: 05:05
Video Art
This work showcases cultural connection and displacement. The food that should be on your table is now hung on a wall, commemorated but inaccessible.
2024
Monoprints on food wrapping paper, laser cut stencils
This piece was inspired by the many rooftop cafes and stunning views of the Bosphorus River while I was exploring Istanbul on a summer vacation.
Adobe Photoshop Illustration