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German Enik '22
Mice own your belongings at night.
2016
Charcoal Pencil on Paper
By German Enik '22
This work is a triptych of body parts from several acclaimed works by Renaissance artists. The famous works are reimagined in a modern style.
2018
Acrylic Paint on Canvas
Abstract portrait that transcends the restrictions of the body and provides the opportunity for anyone of any background to identify with the piece.
2022
Acrylic Paint on Wood
Warm summer portrait of girl reading.
Link to Website
Photoshop
A woman in dark clothing sits on the graffitied ruins of Sutro Baths, staring into the soft, ethereal waves illuminated by warm sunlight.
Oil paint on canvas
Interrogating the digital footprint created when heteropatriarchy, hypermasculinity, and social media co-exist.
2024
Video Art
Quad is always changing amazingly.
2017
Photo
This piece explores duality in behavior: relaxing the tongue can provide a positive experience during kissing, but can prove deadly with sleep apnea. Link to Artwork
Writing
Kaley, my plush fish who represents friendship (each of my friends has one) next to a bottle of medication to celebrate starting recovery recently.
Oil on Canvas
Metamorphosis explores queerness as a transformation, as more than just a sexual identity. See http://stanfordmint.com/metamorphosis/ for full article
Studio photography
Body painting is used to simulate the patient-doctor relationship. Imagery is inspired by anatomy and the model’s bodily experiences.
2020
Body Paint on Skin
“I’ve loved you since the day I met you”
2023
Acrylic on Canvas
This self portrait addresses my invisible disability and the words around me are a mix of medical statements and emotional entries from my journal.
Graphite on Paper
As a landscape photographer, I like to see things in different light. These photos represent my personal interpretation of Stanford.
Self portrait at the height of COVID and my own extraordinary depression.
This piece looks into the intersection of queerness and religion in the age of the internet and digital upbringing.
Interactive Digital Work
As a landscape photographer, I like to see things in different light. These would represent my personal interpretation of Stanford.
Machines roar and metal parts clang away in the background in this artwork as an enormous robot is constructed before the eyes of a young spectator.
2019
Adobe Photoshop Illustration
De-identified photograph taken for artistic purposes with permission from anatomy professors.
2015
Photograph
A collage with the background of a digital re-illustration of Hokusai’s The Great Wave Off Kanagawa to portray our poor disregard and care of Earth.
Digital illustration and collage
The cellphone becomes a monumental, invasive aspect of experiences (especially in nature), yet is so integral in shaping memories.
iPhone photographs, collaged on Photoshop