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In a knife fight, two versions of me grapple and wrestle for control, but both end up symmetrically and simultaneously triumphant and defeated.
2018
Oil paint on found wood
By Cairo Mo '20
đà n-ông.exe
Interrogating the digital footprint created when heteropatriarchy, hypermasculinity, and social media co-exist.
2024
Video Art
By Han Dao '26
Untitled
This piece combines a photograph taken of a mural in Palo Alto with a vintage National Geographic photograph of the same location.
2017
Digital Collage
By Delaney Rua '20
Green Library -2
As a landscape photographer, I like to see things in different light. These photos represent my personal interpretation of Stanford.
2017
Photo
By Lining Sun '18
Your Grandpa Kimo Weaves Lauhala
This piece depicts a fictionalized memory of my grandfather, who I only knew through his woven hats and birds passed down through my family.
2023
Oil Paint on Canvas
By Kea Kahoilua Clebsch '26
Death of Chaos
A portrayal of the death of Chaos as depicted in the Zhuangzi, who expired after Shu and Hu bored a new hole into him each day for seven days.
2015
Digital Visual Art
By Andrew Lesh '19
View to a Kill
This self portrait depicts the artist in self reflection. The couple gazes forward, as hidden collaged images loom behind, reminding them of the past.
2018
Acrylic and Collage on Canvas 30 x 40 in
By Gunner Dongieux '21
Phone Handscapes
The cellphone becomes a monumental, invasive aspect of experiences (especially in nature), yet is so integral in shaping memories.
2019
iPhone photographs, collaged on Photoshop
By Katie Han '23
“Nothing Gold Can Stay”
This is a painting I did for the Congressional Art Competition. The painting is of my mother’s horse JR on my last ride on him before he died.
2014
Acrylic on canvas 24″x 24″
By Alexis Ivec '21
Clarice
Originally meant as a study of diffused light in a “nocturne” scene, this piece is a take on portraiture, figures, and landscape in one.
2020
Oil Paint on Canvas
By Sreya Halder '23
Moss Landing
Inspired by a trip to explore the nature preserves in Mass Landing, CA, this art showcases two curlew birds looking for food in the shallow waters.
2017
Watercolor and Pencil
By Alberto Arvayo '18
Symbiosis
The piece is inspired geometric subdivision, tessellations and fractals, fusing representations from Chinese, Japanese, and Japanese symbolisms.
2017
Laser Cut Birchwood
By Kimberly Te '20
“Vast, grafted monoculture”
This piece explores repetition, but also sense of self (or selves). The title is a quote from Michael Pollan’s “Botany of Desire.”
2020
Vector drawing and photography
By Vrinda Suresh '21
Clam Song, Biter
In Guam, an invasive species, the rhinoceros beetle, kills many of the island’s trees. I collage over images of trees to meditate on this loss.
2020
Digital inkjet print
By Harry Cole '20
Creative limitation
Growing up in Iran taught me that limitation breed creativity. I tried to embody the same lesson by using alternative printing methods in the darkroom
2016
Black & white photography
By Soraya Fereydooni '20
Sea Glass
Sea Glass is a poem I wrote in high school about fearing going to college. I transformed it into a book with watercolor paintings and text designs.
2023
Art book
By Chloe Chang '25
Time to Spare
I took this photo at the Palo Alto Caltrain station in the fall. I used black ink and a black and white filter to provide an “outside of time” look.
2016
Digital Photograph
By Connor Gilmore '21
Figure 57
A fun, surreal piece exploring themes related to the modern food industry.
2014
Watercolor on Paper
By Noah DeWald '20