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Anna Lai '19
Reflective watercolor painting after a trip to Tokyo.
2016
Watercolor
By Anna Lai '19
A visual exploration of ZIP, a drug currently in development used to treat PTSD by directly erasing targeted memories.
2018
Mixed Media
Rendering of a modern jazz pavilion, referencing the visual skeleton chord structure of jazz compositions.
Digital Rendering
This is a photo taken in the Main Quad.
In “closeted”, a silhouette projected onto a bralette in a closet reimagines the queer closeted experience as a positive one.
Link to Website
2021
Projection Installation
Fog drapes over the breathtaking mountain tops and diffuses across the road of Icefields Parkway in Banff National Park, creating a sense of quietude.
2019
Acrylic on Canvas
Our limbs perform so many tasks yet we rarely take a moment to recognize the inner workings that make these movements possible.
Acrylic tube, yarn, metal hardware, wood, epoxy resin
San Francisco at dusk is illuminated by pinpoints of light on the distant hills.
2022
Oil paint on panel
A portrait of a good dog.
2020
Acrylic Paint on Canvas
An ongoing series attempting to create an emotive instant through color theory principles
2017
This is a portrait of a cat whom I love and cherish.
Oil on canvas
The Countour of White Sands NP
2023
Photograph
The feet of my former roommate are greeted by the warm light that streams in through the blinds.
I captured this while camping in Colorado. Upside down the sunrise reflected in the mist covered water reminded me of Earth’s curvature from space.
2015
Digital Photograph
Inspired by Stanford’s Romanesque architecture and towering palm trees, I wanted to capture the university’s vibrant energy and beauty.
Digital Illustration
Portrait of my friend, a queer black woman, in her room the night of the 2025 election results.
2024
As a landscape photographer, I like to see things in different light. These photos represent my personal interpretation of Stanford.
Photo
Representation of an Asian woman navigating a worldwide pandemic, situated in the centre of racial prejudice, capitalism, & social media connectivity.
Scanned magazine collage, colour pencils, and pen on Sketchbook
This is a study of Auguste Rodin’s “Bust of St. John the Baptist,” in an attempt to capture the densely textured look of the original.
Charcoal, white chalk on toned paper
Location: The Claw fountain, White Plaza Part of the virtual 2020 Stanford Gaieties musical scenery.
This photography series depicts the four indigenous Khmer women at Stanford, invisibility, and the consequent strong community we formed.
Photography Series