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Alex Fu '22
Not sure if this counts, but I created a Stanford logo made from many smaller photos. I can make another one, from more interesting photos.
2020
Digital Photograph
By Alex Fu '22
Abstract portrait that transcends the restrictions of the body and provides the opportunity for anyone of any background to identify with the piece.
2022
Acrylic Paint on Wood
This is a portrait of a cat whom I love and cherish.
2019
Oil on canvas
Released some restless energy onto paper with this portrait sketch.
Graphite on Paper
This piece explores duality in behavior: relaxing the tongue can provide a positive experience during kissing, but can prove deadly with sleep apnea. Link to Artwork
Writing
An observational abstract of seaweed washing onto a beach, brought in by the tide. 24″ x 30″.
2018
Oil paint on canvas
Series of 22 photographs reimagining tarot cards (Rider-Waite deck Major Arcana), to reflect the diversity and complexity of the contemporary world.
Digital Photographs
These photographs were taken in Aegina, Greece. During ancient times Aegina was a rival of Athens, the great sea power of the era.
“I’ve loved you since the day I met you”
2023
Acrylic on Canvas
Inspired by the strange reflection of an empty glass sitting on a table, this is a piece is about power and powerlessness—control and lack of it.
Acrylic on canvas
Our limbs perform so many tasks yet we rarely take a moment to recognize the inner workings that make these movements possible.
Link to Website
Acrylic tube, yarn, metal hardware, wood, epoxy resin
This piece is of my neighbor’s beagle, Clyde. She has two dogs, and the other is named Bonnie!
2016
Colored pencil
A ghostly woman draped in a silk shawl and pearls.
Charcoal
This work is a triptych of body parts from several acclaimed works by Renaissance artists. The famous works are reimagined in a modern style.
Acrylic Paint on Canvas
A faceless woman in a room of South Vietnamese soldiers
Taken while walking in my hometown of Washington, D.C.
Photograph
This series is meant to bring inspiration, energy and presence to the broader community during a difficult time of shelter-in-place and quarantine.
Acrylic gouache on Yupo Polypropylene Paper
A classic San Francisco house is bathed in orange light at sunset.
Oil paint on panel
Taken at Felt Lake during one of the field trips of MI 70Q: Photographing Nature, featuring IntroSem students and Continuing Studies students.
This piece grapples with the difficulty of forgiveness. Opposing forces compete: luminosity and shadow, serenity and grief, redemption and regression.
The rising sun in the bay turns typically unaesthetic man-made transmission towers into a beautiful contrast of light and dark.
Photography