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Cairo Mo '20
Lush layers of volanoes, forest fires, tsunamis are interwoven with snarling dogs, invoking chaotic and powerful forces of nature. 30″ x 40″.
2018
Oil paint and thread on canvas
By Cairo Mo '20
Submersion is a painting that experiments with figure in distortion, and blends the organic elements of nature with human form.
Link to Website
2015
Acrylic Paint on Canvas
This piece is a portrait of a friend that overlays an island near the Philippines that has a deep personal association for her from her time there.
2017
Oil Paint on Canvas
Seeing the majestic elephants in Kenya was one of my favorite memories from my trip, and I loved depicting the different textures of the landscape.
2016
This was a fun illustration that I polished up for International Day of the Girl this year (October 11)!
Digital art
I use this artwork to ask, “What has become of our childhood innocence?”
2019
ink on paper, collage
My piece comments on the movement of youth in Mexico towards narco culture and the dire implications it has for more traditional aspects the culture.
Inspired by the works of Nina Katchadourian, this piece uses materials scavenged from the Stanford campus to explore the definition of “city.”
Paper Maps on Cardboard
Vials of yeast samples are the remaining evidence of Dr. Charles Yanofsky, a noted faculty and geneticist who passed away in 2018.
Photograph
In Guam, an invasive species, the rhinoceros beetle, kills many of the island’s trees. I collage over images of trees to meditate on this loss.
2020
Digital inkjet print
A sketched self-portrait replaced into its photographic context.
Graphite on Paper, Photograph