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Into the Mist
Fog drapes over the breathtaking mountain tops and diffuses across the road of Icefields Parkway in Banff National Park, creating a sense of quietude.
2019
Acrylic on Canvas
By Sarah Dong '26
self – portrait
This piece is a self-portrait that puts emphasis on gaze and light to convey a subject that is emerging from the shadows.
2018
Oil Paint on Canvas
By Esther Omole '21
Looking Back 2021
2021 — a year of uncertainties, breakthroughs, and hope. The nurse at a vaccination site epitomizes this spirit of perseverance and hope.
2021
Acrylic Paint on Canvas
By Sarah Dong '26
Sky River
Sky River is a digital reinterpretation of Japanese graphic designer Koichi Sato’s style based on minimalist forms and gradients.
2019
Blender 3D render
By Noah DeWald '20
Death of Chaos
A portrayal of the death of Chaos as depicted in the Zhuangzi, who expired after Shu and Hu bored a new hole into him each day for seven days.
2015
Digital Visual Art
By Andrew Lesh '19
Humanity in the operating room
These pictures were taken during a neurosurgery at Stanford’s Lucile Packard Children hospital.
2017
Digital photography
By Soraya Fereydooni '20
Cattle Soul
I made this piece as an exploration of how cows are perceived in different cultures, and society’s relationship to animals as a whole.
2015
Mixed Media
By Noah DeWald '20
Vortex
An experiment with my visual synesthesia, which imparts color on 2D shapes. This piece intends to instill a sense of curious serenity.
2016
Digital Visual Art
By Andrew Lesh '19
Clyde
This piece is of my neighbor’s beagle, Clyde. She has two dogs, and the other is named Bonnie!
2016
Colored pencil
By Angela Liu '23
The Spire of Notre Dame
Thousands of stippled dots layer on each other to create each gargoyle and rooftop, coming together to reveal the magnificent, historical spire.
2020
Pen and Ink
By Sarah Dong '26
Hide and Seek
I play hide and seek with the scars from a clumsy childhood that my Korean family always told me to hide.
2021
Acrylic Paint on Canvas
By Hannah Cha '25
Self-portrait
While at SFMOMA with Stanford’s ITALIC program, I created this self-portrait to explore the merging of technology with my image of self.
2017
Photograph
By Julianna Yonis '21
More Than A Living Goddess
Kumari, the living Goddess of Nepal, is not allowed to speak to those who worship her, yet her glowing eyes depict that she has so much to tell us.
2022
Graphite
By Nisha Acharya '26
Table for Two
This piece was inspired by the many rooftop cafes and stunning views of the Bosphorus River while I was exploring Istanbul on a summer vacation.
2017
Adobe Photoshop Illustration
By Helen He '23