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Student Artist
Comparative Literature and Art Practice 2022
This piece was inspired by the many rooftop cafes and stunning views of the Bosphorus River while I was exploring Istanbul on a summer vacation.
2017
Adobe Photoshop Illustration
A Joshua Tree, with its grotesque appearance, instantly demands attention.
2018
Photograph of Landscape
I made this piece as an exploration of how cows are perceived in different cultures, and society’s relationship to animals as a whole.
2015
Mixed Media
inspired by Mondays, morning showers, and an addiction to caffeine.
2019
Digital illustration
Sky River is a digital reinterpretation of Japanese graphic designer Koichi Sato’s style based on minimalist forms and gradients.
Blender 3D render
A collage with the background of a digital re-illustration of Hokusai’s The Great Wave Off Kanagawa to portray our poor disregard and care of Earth.
Digital illustration and collage
A collage made from mind media upon reflection of a quarter of studying the classics in Stanford’s freshman SLE residential program.
Mixed Media/Collage
Kumari, the living Goddess of Nepal, is not allowed to speak to those who worship her, yet her glowing eyes depict that she has so much to tell us.
2022
Graphite
This drawing shows the harsh lines of a cityscape being consumed by organic forms, suggesting that, try as we might, we cannot overpower nature.
Ink on Paper
This piece is an abstract self-portrait linking the internal self and the body to the collective human consciousness.
3D animation (Blender)
Rendering of a modern jazz pavilion, referencing the visual skeleton chord structure of jazz compositions.
Digital Rendering
I use this artwork to ask, “What has become of our childhood innocence?”
ink on paper, collage
These photographs were taken in Aegina, Greece. During ancient times Aegina was a rival of Athens, the great sea power of the era.
Digital Photographs
These are part of an ongoing series of portraits of people I met in passing. They can be displayed together or individually.
Oil on canvas
Taken on a Sophomore College trip to Tanzania, a Maasai junior warrior dons the traditional post-circumcision black robes and white face paint.
Photograph
This piece tackles the topic of invisible disabilities and the stigma that many invisibly disabled people, myself included, face.
Photograph on Canvas, Embroidery
How does the lover’s gaze interpret and transform the body? What does it mean to paint the beloved intimately yet leave them unidentifiable?
Acrylic on canvas
These small paintings were quick, gestural sketches that explore the beauty of the feminine form.
This work was featured at a solo show with New Image Art in West Hollywood. You are welcome to share any of the work on my Instagram (L.SongWu)
2023
Oil paint on canvas
Continuation of After Class Hours.
2020
Digital Illustration