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Hashimoto
Stanford Graduate School of Education (GSE)

The Gravity of the Sun by Jacob Hashimoto

 

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AAEAAQAAAAAAAAkkAAAAJGI3NTVlMjUyLTRkOGYtNDVjZC04NzZkLTc5ODI4NDQxZDY4Nw - Stephen Henderson
Performance

Stephen Henderson

Saturday, October 26

 

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Pars pro Toto (Alicja Kwade, 2021), a new art installation on Stanford’s Science and Engineering Quad, reaches for the cosmos while staying grounded in the geological history of our planet.

Stanford Arts - Momentum

 

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Student Artist

Vedika Kanchan '23

Psychology and Economics 2023 @Vedika

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Sezen

Ahina (Juhu, Mumbai – Home)

Suspended (Acropolis, Athens)

Gotham (Lower East Side, New York City)

Nicollette (Venice, Italy)

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GROWTHesque

This solo play premiered in Edinburgh Fringe Festival in 2022 and made its US debut in New York City where I won the award for ‘Best Emerging Actor’

Link to Website

2023

Photograph of Performance (solo play)

By Leeth Singhage '26

Doorway to Stanford

India to America. When the kids go to school everyday, they can see our own school, and not feel so far, despite being halfway around the world.

2017

Enamel Paint

By Tyler Su '20

Sunset at Sutro Baths

A woman in dark clothing sits on the graffitied ruins of Sutro Baths, staring into the soft, ethereal waves illuminated by warm sunlight.

2022

Oil paint on canvas

By Christina Kent '22

self – portrait

This piece is a self-portrait that puts emphasis on gaze and light to convey a subject that is emerging from the shadows.

2018

Oil Paint on Canvas

By Esther Omole '21

Metamorphosis

Metamorphosis explores queerness as a transformation, as more than just a sexual identity. See http://stanfordmint.com/metamorphosis/ for full article

2018

Studio photography

By Jessica Yeung '21

Germination

This piece is a manifestation of the growth and maturity, both physically and mentally, found in adolescence. It mimics the flowering of youth.

2018

Photograph of a physical collage (paper, printed image)

By Isabel Benak '22

The Cabbage Lady

This means “my cabbage” in Russian, and the word also means “money”. This was inspired by a photo from r/peopleofwalmart.

2020

Digital Art

By Majorca "Jorie" Bateman-Coe '20

Focus

Taken at Felt Lake during one of the field trips of MI 70Q: Photographing Nature, featuring a IntroSem student of the course.

2019

Photograph

By Yifei He '22

Dinner, Party

(No description)

2022

Watercolor on Paper

By Lily Thai '27

cloudy with a chance of love

cloudy with a chance of love

2020

Digital illustration

By Elaine Park '21

Self-Portrait Mask

A sketched self-portrait replaced into its photographic context.

2020

Graphite on Paper, Photograph

By Phoebe Kimm '20

Revolutionary pleasure!

This is a collage I made featuring my favorite colors. There are bits of paper popping off of the page!

2021

Digital Photograph of Paper Collage

By D Fukunaga-Brates '25

Firenze

A colorful view of buildings and the sky over Florence (Firenze).

2014

Oil Paint on Canvas

By Francesca Colombo Colombo '19

Anatomy of the Vogue

Anatomy of the Vogue is a portraiture study of clinical anatomy that bridges human and corpse through a play on the fashion industry.

Link to Website

2016

Colored Pencil

By Meagan Wu '18

Main Quad Blues

Original cover art for the Stanford Daily’s Vol. 257 autumn quarter issue.

2019

Digital Illustration

By Helen He '23

middle passage

A depiction of the Southeast Alaskan landscape, seen from a kayak near the Inian Islands. 25.5″ x 36″

2017

Oil paint on paper

By Cairo Mo '20

Picturing Persian Poetry

Using alternative black and white photography techniques, I tried to illustrate the poems of the Persian poet and painter Sohrab Sepehri.

2016

Black and White photography

By Soraya Fereydooni '20

The Claw

Location: The Claw fountain, White Plaza
Part of the virtual 2020 Stanford Gaieties musical scenery.

2020

Digital Illustration

By Helen He '23

Train Wreck

I use this artwork to ask, “What has become of our childhood innocence?”

2019

ink on paper, collage

By Helena Zhang '22

Dosed and Exposed

This self portrait addresses my invisible disability and the words around me are a mix of medical statements and emotional entries from my journal.

2018

Graphite on Paper

By Francesca Colombo '19
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