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Student Artist
Chemical Engineering 2022 @leonardoyu93
A wristwatch lies across a keyboard, the numbers juxtaposing the letters and a soft, glowing gleam reflecting across its surface.
2019
Acrylic Paint on Canvas
Photojournalistic exploration of the human impact of rhino poaching in South Africa – done in Prof Sue McConnell’s overseas seminar in Summer 2016.
Link to Website
2016
Photographs
I have a series of three paintings showing scenes from 3 places here in USA which caught my eye.
2022
Watercolor
Serenity from within results from letting go.
2014
In a knife fight, two versions of me grapple and wrestle for control, but both end up symmetrically and simultaneously triumphant and defeated.
2018
Oil paint on found wood
This is the first of an ongoing watercolor series completed under shelter-in-place, based on photos that friends have sent of their favorite views.
2020
Representation of an Asian woman navigating a worldwide pandemic, situated in the centre of racial prejudice, capitalism, & social media connectivity.
Scanned magazine collage, colour pencils, and pen on Sketchbook
Portrait of my friend, a queer black woman, in her room the night of the 2025 election results.
2024
Acrylic on Canvas
Inspired by the strange reflection of an empty glass sitting on a table, this is a piece is about power and powerlessness—control and lack of it.
Acrylic on canvas
Metamorphosis explores queerness as a transformation, as more than just a sexual identity. See http://stanfordmint.com/metamorphosis/ for full article
Studio photography
Sea Glass is a poem I wrote in high school about fearing going to college. I transformed it into a book with watercolor paintings and text designs.
2023
Art book
The tradition of monuments uplifts cishet white men through idealized, bodily depictions of men, but queerness transcends the restrictions of the body
Acrylic paint on canvas
As a landscape photographer, I like to see things in different light. These would represent my personal interpretation of Stanford.
2017
Photo
A mixed-media interactive piece installed at Stanford’s annual “Frost Festival”. The piece embodies Stanford’s goals of inclusion and diversity.
Acrylic, Spray Paint, Vinyl, Sticker on Canvas
As we were walking through the streets in Rome, my mom noticed the harsh shadows hitting the restaurant in front of us, creating gorgeous colors.
Seeing the majestic elephants in Kenya was one of my favorite memories from my trip, and I loved depicting the different textures of the landscape.
A close-up, multi-colored rendering of Eppendorf tubes illustrates that Lab Life is not as monochromatic as it appears.
Oil paint on Canvas
As a landscape photographer, I like to see things in different light. These photos represent my personal interpretation of Stanford.
It is difficult for humans to accept their own flaws and imperfections. This is a self-portrait displaying my many different tones and personalities.
Acrylic on Paper
This drawing is a representation of a fractal called a Julia set, which has been rendered out of plants and other organic elements.
Markers on paper