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Hashimoto
Stanford Graduate School of Education (GSE)

The Gravity of the Sun by Jacob Hashimoto

 

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AAEAAQAAAAAAAAkkAAAAJGI3NTVlMjUyLTRkOGYtNDVjZC04NzZkLTc5ODI4NDQxZDY4Nw - Stephen Henderson
Performance

Stephen Henderson

Saturday, October 26

 

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Pars pro Toto (Alicja Kwade, 2021), a new art installation on Stanford’s Science and Engineering Quad, reaches for the cosmos while staying grounded in the geological history of our planet.

Stanford Arts - Momentum

 

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Sabrina Wilensky 2018

Sabrina Wilensky

(she/her)

Director of Program Operations and Project Management

swilensk@stanford.edu

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exhausted

She wipes the mask off after a long day.

2018

Photoshop

By Angela He '21
Vero

Vero is a UG2 custodial worker on campus who I tutor through habla. I hoped to display her as I have grown to know her: strong and compelling.

2018

Oil Paint on Canvas

By Lorena Diosdado '21
Firenze

A colorful view of buildings and the sky over Florence (Firenze).

2014

Oil Paint on Canvas

By Francesca Colombo Colombo '19
Self-portrait

While at SFMOMA with Stanford’s ITALIC program, I created this self-portrait to explore the merging of technology with my image of self.

2017

Photograph

By Julianna Yonis '21
After Office Hours

Location: Main Quad

2020

Digital Illustration

By Helen He '23
Visions of Separation

The emotional turmoil of Fall quarter. As students process their new reality, they long for human connection but also feel empty and purposeless.

Link to Website

2021

Photography

By Bryan Defjan '24
What We Build

Machines roar and metal parts clang away in the background in this artwork as an enormous robot is constructed before the eyes of a young spectator.

2019

Adobe Photoshop Illustration

By Helen He '23
Mourning Window

This is a self portrait examining the complex nature of identity through both realistic forms and abstract shapes.

2016

Acrylic on Canvas

By Noah DeWald '20
Flames

A study on ephemeral hands, and an attempt to capture desperate grasping.

2014

Gesso on card.

By Katherine Yang '20
More Than A Living Goddess

Kumari, the living Goddess of Nepal, is not allowed to speak to those who worship her, yet her glowing eyes depict that she has so much to tell us.

2022

Graphite

By Nisha Acharya '26
Confirmation

No Description

2022

Watercolor on Paper

By Lily Thai '27
Trying to Forgive

This piece grapples with the difficulty of forgiveness. Opposing forces compete: luminosity and shadow, serenity and grief, redemption and regression.

2022

Oil on canvas

By Jackie Liu '25
The claw (updated)

As a landscape photographer, I like to see things in different light. These represent my personal interpretation of Stanford.

2017

Photo

By Lining Sun '18
Clyde

This piece is of my neighbor’s beagle, Clyde. She has two dogs, and the other is named Bonnie!

2016

Colored pencil

By Angela Liu '23
Keyword Poetry

A series of poems written exclusively with programming keywords. An investigation on language, audience, and dangerous English-centric thinking.

Link to Website

2017

code poems

By Stephanie Niu '19
Andhra Summers

This poem is dedicated to street children in Andhra Pradesh, India, who continue to face extraordinary barriers in education, health, and security.
Link to Artwork

2019

Creative Writing (Poetry)

By Harika Kottakota '20
Ebb

This image plays with scale, texture, and the physicality of water.

2016

Color Film

By Chase Porter '17
Limitless World

I wanted to depict the endless possibilities of this world; the one we are so used to taking for granted.

2018

Acrylic on canvas

By Mikaela Berkeley '20
VCA

v.c.a – an ongoing project and exploration of visual communication through abstraction

2016

Graphic Design

By Tyler Su '20
Hide and Seek

I play hide and seek with the scars from a clumsy childhood that my Korean family always told me to hide.

2021

Acrylic Paint on Canvas

By Hannah Cha '25
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