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Hashimoto
Stanford Graduate School of Education (GSE)

The Gravity of the Sun by Jacob Hashimoto

 

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AAEAAQAAAAAAAAkkAAAAJGI3NTVlMjUyLTRkOGYtNDVjZC04NzZkLTc5ODI4NDQxZDY4Nw - Stephen Henderson
Performance

Stephen Henderson

Saturday, October 26

 

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Pars pro Toto (Alicja Kwade, 2021), a new art installation on Stanford’s Science and Engineering Quad, reaches for the cosmos while staying grounded in the geological history of our planet.

Stanford Arts - Momentum

 

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Sabrina Wilensky 2018

Sabrina Wilensky

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Director of Program Operations and Project Management

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Focus

Taken at Felt Lake during one of the field trips of MI 70Q: Photographing Nature, featuring a IntroSem student of the course.

2019

Photograph

By Yifei He '22
Shadows

Taken at Jasper Ridge Biological Preserve during one of the field trips of MI 70Q: Photographing Nature.

2019

Photograph

By Yifei He '22
Your Grandpa Kimo Weaves Lauhala

This piece depicts a fictionalized memory of my grandfather, who I only knew through his woven hats and birds passed down through my family.

2023

Oil Paint on Canvas

By Kea Kahoilua Clebsch '26
Lightbulb of the Lightning Bugs

I catch lightning bugs, flitting moments often overlooked, and bring attention to them, so that they might spark a lightbulb in the minds of others.

2021

MultiMedia(Charcoal and Colored Pencil)

By Janice Li '24
Misfit Photography

Often, I find myself missing the changing of seasons. But if I just look closely, signs of autumn are all around.

2019

Nature Photography

By Renata Starbird '21
Designer

A surreal portrayal of the cost of modern designer fashion culture.

2015

Scratchboard

By Noah DeWald '20
Rancho de San Luis, JAL, MX

This project was done on a ten-day summer trip to my family’s ranch.

Link to Website

2017

Environmental Photographs

By Kamilah Arteaga '22
Vanishing Act II

A digital re-imagining of my piece about humanity’s changing relationship with the natural world.

2015

Mixed Media

By Noah DeWald '20
Explosive Bloom

A sculpture paying homage to the queer community and culture. Delicate like a flower, yet distinct like an explosion. Trans bodies at the center.

2021

Wood Sculpture

By Zaki Rob '25
The Claw

Location: The Claw fountain, White Plaza
Part of the virtual 2020 Stanford Gaieties musical scenery.

2020

Digital Illustration

By Helen He '23
Ocean Beach Poppies

Bright orange poppies burst into the foreground framed by cool blue houses behind.

2022

Oil paint on panel

By Christina Kent '22
Last Light on Haight St

A classic San Francisco house is bathed in orange light at sunset.

2022

Oil paint on panel

By Christina Kent '22
Security Blanket

The security blanket is a metaphor for something we cling to when we are afraid and how it is something we must learn to let it go.

Link to Website

2019

Photography

By Kelsey Wang '22
Free Association Portraits

This series utilizes seemingly arbitrary visual imagery overlaid onto written stream of consciousness to evoke imaginations of trauma and healing.

2019

Charcoal and Ink on Toned Paper

By Jamie Seney '21
Memorial Church

Light fluctuations through stained glass is always beautiful and ethereal at different times of day.

2025

Photograph of the Stanford Memorial Church

By Vivian Xiao '28
Glitch, Beyond the Cracks

This self portrait depicts how your initial view of the world glitches, or shatters as different experiences come with growing up.

2020

Colored pencil

By Tracy Wei '26
The Cabbage Lady

This means “my cabbage” in Russian, and the word also means “money”. This was inspired by a photo from r/peopleofwalmart.

2020

Digital Art

By Majorca "Jorie" Bateman-Coe '20
Ozymandias

Based on the poem Ozymandias by Percy Bysshe Shelley, this piece was intended to examine the environmental and cultural cost of the fashion industry.

2015

Mixed Media

By Noah DeWald '20
one foot in the water

A projection of water drapes over a foot, the painting interweaves the physical and digital sensation.

Link to Website

2016

Oil on canvas

By Vivienne Le '19
People I Met Last Year

These are part of an ongoing series of portraits of people I met in passing. They can be displayed together or individually.

2018

Oil on canvas

By Cathy Yang '20
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