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Stanford Graduate School of Education (GSE)

The Gravity of the Sun by Jacob Hashimoto

 

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Stephen Henderson

Saturday, October 26

 

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Stanford Arts - Momentum

 

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Natalie Price '16 and Cleo Chung '17 worked as 2016 Summer Interns at OddLot Entertainment. Photo by Harrison Truong.

Office of the Vice President for the Arts

SIPA – Eligibility & Timeline

Student Eligibility

The following criteria applies to both program tracks (pre-arranged and self-designed internships:

  • Open to current Stanford undergraduate students (freshman, sophomores, and juniors) from all academic disciplines.
    • Priority will be given to students who have not previously participated in SIPA or the Lyric McHenry Community Arts Fellowship.
    • Co-terms and graduating seniors are not eligible for either track.
  • Students are only eligible for one Stanford-funded summer experiential learning opportunity during the 2025-26 academic year (inclusive of summer).
    • If students choose to participate in either track of SIPA, they will not be eligible for another Stanford-sponsored full-time funding opportunity (e.g., another Cardinal Quarter opportunity, Global Studies Internship Program, Undergraduate Research Major Grants, Chappell Lougee, VPA Senior Grant, full-time departmental and faculty research grants, Beagle II Award, etc.).
    • Part-time opportunities (such as an Undergraduate Research Small Grant or another on-campus part-time internship) may be feasible for some SIPA pre-arranged, on campus internships. Contact program staff to discuss eligibility.

Key Dates

SIPA is only available for Summer 2026 internships. Students interested in internship stipends during the academic year may be eligible for funding through the Haas Center’s Cardinal Quarter or Community Service Work-Study programs.

Application Timeline

  • December 2025: Application opens
  • February 12, 2026 @ 11:59pm (Pacific): Deadline for pre-arranged internships
    • late February/early March 2026: Semi-finalist interviews take place for selected candidates.
    • mid-March 2026: Pre-arranged internship finalists notified. Students will have up to 48 hours to accept/decline an offer.
  • March 16, 2026 @ 11:59pm (Pacific): Deadline for self-designed internships
    • Completed Host Organization Questionnaire forms are also due by this deadline!
    • early April: Semi-finalist interviews may take place for selected candidates.
    • mid-April: Self-designed internship finalists notified. Students will have up to 48 hours to accept/decline an offer.
  • May 2026: All Students complete online orientation via Canvas.
  • late May 2026: Stipends paid via Student Financial Services.
  • June/July 2026: Internships begin
  • August/September 2026: Internships end

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Sabrina Wilensky 2018

Sabrina Wilensky

(she/her)

Director of Program Operations and Project Management

swilensk@stanford.edu

Abundance

I was inspired by a picture I took of my grandfather when visiting Korea for the first time since immigrating to America in 2001.

2023

Oil on Canvas

By '27

Two versions of my favorite picture of the church

As a landscape photographer, I like to see things in different light.

2016

Photo with artistic editing

By '18

The Ghosts of SKA

This photography series depicts the four indigenous Khmer women at Stanford, invisibility, and the consequent strong community we formed.

Link to Website

2020

Photography Series

By '22

Moonrise

This painting is an interpretation of Magritte’s surrealist painting “The Mysteries of the Horizon,” replacing the men with an aging ballerina.

2018

Acrylic paint on canvas

By '22

The Art of Binaural Beats

I painted one piece for each type of binaural beat to test the hypothesis, “distinct beat = distinct effect.” Conclusion? It didn’t really pan out.

2020

Watercolor on Paper

By '23

SJC Logo Redesign

SJC redesign – inspired by bold ‘Mod’ textiles, rooted in the London-based 1960’s ‘Mod’ fashion and music subculture centered around modern jazz.

2016

Graphic Design and Print

By '20

Picturing Persian Poetry

Using alternative black and white photography techniques, I tried to illustrate the poems of the Persian poet and painter Sohrab Sepehri.

2016

Black and White photography

By '20

Untitled (Study for St. Sebastian) and Untitled (Study for Gabriel)

Both works are depictions of traditional Catholic religious figures figured through an assemblage of inanimate objects.

2018

Graphite and watercolor on paper

By '19

Phone Handscapes

The cellphone becomes a monumental, invasive aspect of experiences (especially in nature), yet is so integral in shaping memories.

Link to Website

2019

iPhone photographs, collaged on Photoshop

By '23

Bioluminescence

Mimicking the beauty of bioluminescence.

Link to Website

2022

Digital Photography

By '23

Monstera

(Work in progress) Monstera in grayscale w/ orchre yellow stems

2024

Oil on Canvas

By '28

Amboseli

Seeing the majestic elephants in Kenya was one of my favorite memories from my trip, and I loved depicting the different textures of the landscape.

2016

Acrylic Paint on Canvas

By '23

Explosive Bloom

A sculpture paying homage to the queer community and culture. Delicate like a flower, yet distinct like an explosion. Trans bodies at the center.

2021

Wood Sculpture

By '25

Misfit Photography

Often, I find myself missing the changing of seasons. But if I just look closely, signs of autumn are all around.

2019

Nature Photography

By '21

Self-portrait

A self-portrait composed of identity objects: rings from my mother, the teapot on my coffee table, the graphic on my favorite t-shirt, etc.

2020

Digital Collage

By '20

Vortex

An experiment with my visual synesthesia, which imparts color on 2D shapes. This piece intends to instill a sense of curious serenity.

2016

Digital Visual Art

By '19

self control (hot tub)

This is a painting of a memory of a moment of me and my boyfriend in his hot tub, right before he told me he loved me for the first time.

2022

Oil Paint on Canvas

By '20

The Body as Canvas

Body painting is used to simulate the patient-doctor relationship. Imagery is inspired by anatomy and the model’s bodily experiences.

Link to Website

2020

Body Paint on Skin

By '20

Sunset at Sutro Baths

A woman in dark clothing sits on the graffitied ruins of Sutro Baths, staring into the soft, ethereal waves illuminated by warm sunlight.

2022

Oil paint on canvas

By '22

Untitled

These two small paintings feature a whimsical image that explores feminine sexuality, inspired by the flesh-like quality of oil paint.

2018

oil on cnavs

By '20
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