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Stanford Graduate School of Education (GSE)

The Gravity of the Sun by Jacob Hashimoto

 

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Performance

Stephen Henderson

Saturday, October 26

 

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Stanford Arts - Momentum

 

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Natalie Price '16 and Cleo Chung '17 worked as 2016 Summer Interns at OddLot Entertainment. Photo by Harrison Truong.

Office of the Vice President for the Arts

SIPA – Info for Host Organizations

Introduction

Thank you for supporting the next generation of artists and arts leaders by hosting a summer intern at your organization through the Stanford Internship Program in the Arts (SIPA).

The following guide contains information for prospective host organizations. Our team is happy to chat with you if you have any questions about the program, timeline, requirements, and more.

Recruiting Stanford Students

Host Organization Expectations & Accountability

Program Structure

Roadmap for Off-Campus Internship Hosts

Didn't find what you were looking for?

Reach out with questions:

Sabrina Wilensky 2018

Sabrina Wilensky

(she/her)

Director of Program Operations and Project Management

swilensk@stanford.edu

It’s a brilliant surface in that sunlight

I captured this while camping in Colorado. Upside down the sunrise reflected in the mist covered water reminded me of Earth’s curvature from space.

2015

Digital Photograph

By '19
Free Association Portraits

This series utilizes seemingly arbitrary visual imagery overlaid onto written stream of consciousness to evoke imaginations of trauma and healing.

2019

Charcoal and Ink on Toned Paper

By '21
Ozymandias

Based on the poem Ozymandias by Percy Bysshe Shelley, this piece was intended to examine the environmental and cultural cost of the fashion industry.

2015

Mixed Media

By '20
head in the clouds

Girl has a moment of clarity when her head is in the clouds.

2018

Photoshop

By '21
Digital Art

I painted a face digitally, and I like frames, angels, and rocket ships.

2020

Digital Art

By '20
Still I Rise

Video edited from found footage reflecting on the repetition, absurdity, and futility of everyday life.
Duration: 05:05

Link to Website

2018

Video Art

By '19
Trying to Forgive

This piece grapples with the difficulty of forgiveness. Opposing forces compete: luminosity and shadow, serenity and grief, redemption and regression.

2022

Oil on canvas

By '25
The Claw

Location: The Claw fountain, White Plaza
Part of the virtual 2020 Stanford Gaieties musical scenery.

2020

Digital Illustration

By '23
Train Wreck

I use this artwork to ask, “What has become of our childhood innocence?”

2019

ink on paper, collage

By '22
Moss Landing

Inspired by a trip to explore the nature preserves in Mass Landing, CA, this art showcases two curlew birds looking for food in the shallow waters.

2017

Watercolor and Pencil

By '18
Stanford

This drawing was an attempt to capture my feelings about Stanford: an intimidating fortress of possibilities.

2018

Markers on paper

By '19
Frank’s Blue

This work is based off a creative non-fiction short story I wrote about my childhood relationship with my father.

2017

Oil on Canvas

By '19
Spin

Abstract photography with the goal of rendering mundane objects unrecognizable.

2018

Photography

By '20
Untitled

[how I avoid winter quarter: experiments with colors and a palette knife]

2017

Oil Paint on Canvas

By '20
Ocean Beach Poppies

Bright orange poppies burst into the foreground framed by cool blue houses behind.

2022

Oil paint on panel

By '22
Andhra Summers

This poem is dedicated to street children in Andhra Pradesh, India, who continue to face extraordinary barriers in education, health, and security.
Link to Artwork

2019

Creative Writing (Poetry)

By '20
Creative limitation

Growing up in Iran taught me that limitation breed creativity. I tried to embody the same lesson by using alternative printing methods in the darkroom

2016

Black & white photography

By '20
Confirmation

No Description

2022

Watercolor on Paper

By '27
Green Library

As a landscape photographer, I like to see things in different light. These would represent my personal interpretation of Stanford.

2017

Photo

By '18
Where Language Begins and Does Not End

An exploration of the intergenerational and varied manifestations of Japanese internment on the self, the body, the family, and language.

2018

acrylic and mixed media

By '21
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