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Stanford Graduate School of Education (GSE)

The Gravity of the Sun by Jacob Hashimoto

 

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Stephen Henderson

Saturday, October 26

 

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Stanford Arts - Momentum

 

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Natalie Price '16 and Cleo Chung '17 worked as 2016 Summer Interns at OddLot Entertainment. Photo by Harrison Truong.

Office of the Vice President for the Arts

SIPA – Info for Host Organizations

Introduction

Thank you for supporting the next generation of artists and arts leaders by hosting a summer intern at your organization through the Stanford Internship Program in the Arts (SIPA).

The following guide contains information for prospective host organizations. Our team is happy to chat with you if you have any questions about the program, timeline, requirements, and more.

Recruiting Stanford Students

Host Organization Expectations & Accountability

Program Structure

Roadmap for Off-Campus Internship Hosts

Didn't find what you were looking for?

Reach out with questions:

Sabrina Wilensky 2018

Sabrina Wilensky

(she/her)

Director of Program Operations and Project Management

[email protected]

Submersion

Submersion is a painting that experiments with figure in distortion, and blends the organic elements of nature with human form.

Link to Website

2015

Acrylic Paint on Canvas

By '18
Two Boys Dancing

Past lovers who couldn’t be together grieve over “what was” and “what could have been”, learning each other’s rhythms tenderly for the first time.

2024

Oil on Canvas

By '24
SlumRat

This short film was submitted as part of my arts portfolio for my Stanford application

Link to Website

2021

Short Film

By '26
window/windows

A process exploration of dye sublimation to print the iconic “Bliss” wallpaper of the operating system Windows XP onto constructed shutters.

2017

Sculpture: wood, white house paint, printed acrylic sheet, venetian window structure

By '19
i’ll never cry again

Girl restrains her tears for, hopefully, the last time.

2018

Photoshop

By '21
bubbleUp

The central focus of these prints is the vibrant potato starch granule depicted under polarized light and how its shape and colors are manipulated.

2023

Algorithmic Art made with Processing

By '26
Maasai Junior Warrior

Taken on a Sophomore College trip to Tanzania, a Maasai junior warrior dons the traditional post-circumcision black robes and white face paint.

2017

Photograph

By '20
Mount Daly

Mount Daly in Snowmass, Colorado

2022

Gouache paint on watercolor paper

By '25
Untitled

[how I avoid winter quarter: experiments with colors and a palette knife]

2017

Oil Paint on Canvas

By '20
Self Portrait

A self portrait done in the style of the Old Masters.

2014

Oil Paint on Canvas

By '19
The Cat and the Fish

A cat in a Japanese restaurant.

2019

3D computer graphics

By '22
BAGUETTE!

Episode 1 of an upcoming mystery micro-film series

Link to Website

2022

Short Film

By '26
self control (hot tub)

This is a painting of a memory of a moment of me and my boyfriend in his hot tub, right before he told me he loved me for the first time.

2022

Oil Paint on Canvas

By '20
Elevation

Serenity from within results from letting go.

2014

Watercolor

By '19
Illuminating the Mind

De-identified photograph taken for artistic purposes with permission from anatomy professors.

2015

Photograph

By '20
Train Wreck

I use this artwork to ask, “What has become of our childhood innocence?”

2019

ink on paper, collage

By '22
Coronavirus, Capitalism, and Connectivity: Monochroming what was once in Colour

Representation of an Asian woman navigating a worldwide pandemic, situated in the centre of racial prejudice, capitalism, & social media connectivity.

2020

Scanned magazine collage, colour pencils, and pen on Sketchbook

By '22
The Quad

Quad is always changing amazingly.

2017

Photo

By '18
Figure 57

This artwork examines the place of genetically modified organisms in modern society and how we view them, blurring the line between item and organism.

2014

fine-tip pen and watercolor on paper

By '20
Arches by Picasso

A sense of colorful peace

2018

painting on computer

By '18
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