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Stanford Graduate School of Education (GSE)

The Gravity of the Sun by Jacob Hashimoto

 

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Performance

Stephen Henderson

Saturday, October 26

 

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Stanford Arts - Momentum

 

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Natalie Price '16 and Cleo Chung '17 worked as 2016 Summer Interns at OddLot Entertainment. Photo by Harrison Truong.

Office of the Vice President for the Arts

SIPA – Pre-Arranged Internships

About

Students participate in a 10-week, part-time placement with one of Stanford’s arts institutions, such as: Stanford Live/Frost AmphitheaterCantor Arts Center, the Anderson Collection, or with a faculty artist. All SIPA participants receive funding to support living costs during the 10-week internship. Summer interns are responsible for securing their own housing for the duration of the internship.

Summer 2026 Opportunities

Applications closed for Summer 2026.

Participant Expectations

Participants in pre-arranged internships are expected to complete the following program requirements:

  • Spring Quarter
    • Complete the self-paced orientation during Spring Quarter.
    • Develop learning goals that will be shared with your internship supervisor during the first week of your placement.
  • Summer Quarter
    • Stay in contact with SIPA program staff via email during the summer.
    • Complete weekly reflection assignments and required reports, including: the midpoint self-evaluation/social media post, final self-evaluation, and donor thank you letter.

How to Apply

Applications are only accepted through SOLO and include the following:

  1. Basic applicant info (Name, SUID#, Stanford email, major/program)
  2. Internship placement preference
    • For Summer 2026, students can apply to one pre-arranged internship.
  3. Personal statement (as a PDF)
    • What are your learning goals for participating in SIPA?
    • Why did you select this internship opportunity? What elements of the internship particularly resonate with you?
    • What skills/experiences can you offer the organization? This can include your own creative practice, campus involvement, etc.—we want to get to know you as a whole person.
  4. Resume (as a PDF)
  5. Unofficial transcript (as a PDF)
  6. Name and contact information of one (1) professional reference. Your reference provider can be a Stanford faculty, academic staff, professional staff member, or a work/internship supervisor (current or former). Your reference does not need to submit anything as part of your application. Program staff will let you know if there is a need to contact your reference.

Visit the Application Resources page for additional tips!

Stipends

All students accepted into SIPA receive a stipend to help support basic living expenses during the internship.

Summer 2026 Rates:

  • Pre-arranged (part-time): Participants receive a base stipend of $4,800, plus additional need-based aid up to $1,500.

Stipends are paid once students complete all pre-participation requirements including the orientation content in Canvas.

Student athletes should confirm the impact of any awarded stipend on their athletic eligibility by contacting the Compliance Services Office prior to accepting a SIPA internship stipend.

Disability Accomodations

If you need a disability-related accommodation and/or need to receive any internship information/application in alternate format, please contact the Diversity & Access Office at, at phone: (650) 725-0326 or email: disability.access@stanford.edu.

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Sabrina Wilensky 2018

Sabrina Wilensky

(she/her)

Director of Program Operations and Project Management

swilensk@stanford.edu

“Nothing Gold Can Stay”

This is a painting I did for the Congressional Art Competition. The painting is of my mother’s horse JR on my last ride on him before he died.

2014

Acrylic on canvas 24″x 24″

By '21
Nino

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2020

Acrylic Paint on Canvas

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Princess Going Digital

Princess Going Digital considers queer girlhood on the playground of the laptop screen, a site for unapologetic self-documentation and portraiture.

2023

Gouache on Paper

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Digital Youth

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Link to Website

2021

Photography

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Symbiosis

The piece is inspired geometric subdivision, tessellations and fractals, fusing representations from Chinese, Japanese, and Japanese symbolisms.

2017

Laser Cut Birchwood

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The Cabbage Lady

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2020

Digital Art

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Sezen

“I’ve loved you since the day I met you”

2023

Acrylic on Canvas

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Utopia No. 1

Inspired by the works of Nina Katchadourian, this piece uses materials scavenged from the Stanford campus to explore the definition of “city.”

2018

Paper Maps on Cardboard

By '
Photograph of the Campus

This is a photo taken in the Main Quad.

2018

This is a photo taken in the Main Quad.

By '22
Cityscapes and Scenes

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2022

Watercolor

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La Belleza Italiana

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2017

Pen and Marker

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Quotes from an anonymous survey sent out to student dorms are written on prints of photographs of ducks representing Stanford students

2018

Digital photography prints

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After Office Hours

Location: Main Quad

2020

Digital Illustration

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Taken in Alberta, Canada. My hope is not to showcase landscapes but to acknowledge that Earth’s beauty surrounds us.

2017

Photograph

By '20
Áo Dài in Seven Parts

Pinned parts of a traditional Vietnamese dress cut to my measurements. Through deconstruction, functionality and familiarity are lost.

2023

Charcoal and Mixed Media on Salvaged Cotton and Organza

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Into the Mist

Fog drapes over the breathtaking mountain tops and diffuses across the road of Icefields Parkway in Banff National Park, creating a sense of quietude.

2019

Acrylic on Canvas

By '26
Untitled (16 tuned chairs tapping @ 3rpm)

16 wooden chairs, each with one leg severed, tap in syncopated rhythm, puncturing through a low droning electrical hum.

Link to Website

2023

Found and modified wooden chairs, custom steel hardware, dc motors, wires, solder, modified cast iron weights

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SJC Logo Redesign

SJC redesign – inspired by bold ‘Mod’ textiles, rooted in the London-based 1960’s ‘Mod’ fashion and music subculture centered around modern jazz.

2016

Graphic Design and Print

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People I Met Last Year

These are part of an ongoing series of portraits of people I met in passing. They can be displayed together or individually.

2018

Oil on canvas

By '20
cloudy with a chance of love

cloudy with a chance of love

2020

Digital illustration

By '21
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