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Stanford Graduate School of Education (GSE)

The Gravity of the Sun by Jacob Hashimoto

 

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Stephen Henderson

Saturday, October 26

 

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Stanford Arts - Momentum

 

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Natalie Price '16 and Cleo Chung '17 worked as 2016 Summer Interns at OddLot Entertainment. Photo by Harrison Truong.

Office of the Vice President for the Arts

SIPA – Pre-Arranged Internships

About

Students participate in a 10-week, part-time placement with one of Stanford’s arts institutions, such as: Stanford Live/Frost Amphitheater, Cantor Arts Center, the Anderson Collection, or with a another campus arts organization. All SIPA participants receive funding to support living costs during the 10-week internship. Summer interns are responsible for securing their own housing for the duration of the internship.

Summer 2027 Opportunities

Participant Expectations

Participants in pre-arranged internships are expected to complete the following program requirements:

  • Spring Quarter
    • Complete the self-paced orientation during Spring Quarter.
    • Develop learning goals that will be shared with your internship supervisor during the first week of your placement.
  • Summer Quarter
    • Stay in contact with SIPA program staff via email during the summer.
    • Complete weekly reflection assignments and required reports, including: the midpoint self-evaluation/social media post, final self-evaluation, and donor thank you letter.

How to Apply

Applications are only accepted through SOLO and include the following:

  1. Basic applicant info (Name, SUID#, Stanford email, major/program)
  2. Internship placement preference
    • For Summer 2027, students can apply to one pre-arranged internship.
  3. Personal statement (as a PDF)
    • What are your learning goals for participating in SIPA?
    • Why did you select this internship opportunity? What elements of the internship particularly resonate with you?
    • What skills/experiences can you offer the organization? This can include your own creative practice, campus involvement, etc.—we want to get to know you as a whole person.
  4. Resume (as a PDF)
  5. Unofficial transcript (as a PDF)
  6. Name and contact information of one (1) professional reference. Your reference provider can be a Stanford faculty, academic staff, professional staff member, or a work/internship supervisor (current or former). Your reference does not need to submit anything as part of your application. Program staff will let you know if there is a need to contact your reference.

Visit the Application Resources page for additional tips!

Stipends

All students accepted into SIPA receive a stipend to help support basic living expenses during the internship.

Summer 2027 Rates:

  • Pre-arranged (part-time): Participants receive a base stipend of $5,500, plus additional need-based aid up to $1,500.

Stipends are paid once students complete all pre-participation requirements including the orientation content in Canvas.

Student athletes should confirm the impact of any awarded stipend on their athletic eligibility by contacting the Compliance Services Office prior to accepting a SIPA internship stipend.

Disability Accomodations

If you need a disability-related accommodation and/or need to receive any internship information/application in alternate format, please contact the Diversity & Access Office at, at phone: (650) 725-0326 or email: disability.access@stanford.edu.

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Sabrina Wilensky 2018

Sabrina Wilensky

(she/her)

Director of Program Operations and Project Management

swilensk@stanford.edu

Portrait of a Glass, Empty (2020); Barriers (2021)

Two paintings exploring emptiness and isolation, and confronting feelings of lack of control during the early stages of the pandemic.

2021

Acrylic on canvas, some collage from a news story

By '21
Expressions

This song is a unique take on John Coltrane’s ‘Impressions’ in terms of instrumentation, style, and genre.

Link to Website

2016

Guitar recording with electronic drums and synths

By '20
Do electric sheep dream of pet birds?

Androids may dream of electric sheep, and electric sheep …

2022

doodle

By '26
Self Portrait

A self portrait done in the style of the Old Masters.

2014

Oil Paint on Canvas

By '19
Last Light over Coit Tower

The setting sun casts a firey light onto the skyline of San Francisco, with Coit Tower visible over the hills of the city.

2022

Oil paint on canvas

By '22
The Art of Binaural Beats

I painted one piece for each type of binaural beat to test the hypothesis, “distinct beat = distinct effect.” Conclusion? It didn’t really pan out.

2020

Watercolor on Paper

By '23
Breaking Point

This piece was made the week before quarantine when everything was uncertain and the weight of not knowing what was to come next hung over our heads.

Link to Website

2020

Boulder & Rope

By '22
Take

I took this photograph in a forrest in Germany. I wonder what the dog is doing right now.

Link to Website

2016

Color Film

By '17
I Am Home

This portrait portrays a friend overlaid and entangled in the swamps of Louisiana near NOLA — her home.

2017

Oil on Canvas

By '19
Trying to Forgive

This piece grapples with the difficulty of forgiveness. Opposing forces compete: luminosity and shadow, serenity and grief, redemption and regression.

2022

Oil on canvas

By '25
Self-Portrait Mask

A sketched self-portrait replaced into its photographic context.

2020

Graphite on Paper, Photograph

By '20
hide my emotions

Hide my anger behind flowers // my anxiety behind moths // my sadness behind ▓▓▓

2018

Photoshop

By '21
Free Association Portraits

This series utilizes seemingly arbitrary visual imagery overlaid onto written stream of consciousness to evoke imaginations of trauma and healing.

2019

Charcoal and Ink on Toned Paper

By '21
Looking Up

Taken while walking in my hometown of Washington, D.C.

2020

Photograph

By '21
Abundance

I was inspired by a picture I took of my grandfather when visiting Korea for the first time since immigrating to America in 2001.

2023

Oil on Canvas

By '27
Nicollette (Venice, Italy)

Stillness, the relationship between Venice’s constant landscape and its moving parts, environments of order that have witnessed extravagant change

2018

acrylic on canvas

By '23
Doorway to Stanford

India to America. When the kids go to school everyday, they can see our own school, and not feel so far, despite being halfway around the world.

2017

Enamel Paint

By '20
Sea Glass

Sea Glass is a poem I wrote in high school about fearing going to college. I transformed it into a book with watercolor paintings and text designs.

2023

Art book

By '25
California

Shriram California photos

2019

Digital photographs

By '23
Vero

Vero is a UG2 custodial worker on campus who I tutor through habla. I hoped to display her as I have grown to know her: strong and compelling.

2018

Oil Paint on Canvas

By '21
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