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Stanford Graduate School of Education (GSE)

The Gravity of the Sun by Jacob Hashimoto

 

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Performance

Stephen Henderson

Saturday, October 26

 

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Stanford Arts - Momentum

 

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Natalie Price '16 and Cleo Chung '17 worked as 2016 Summer Interns at OddLot Entertainment. Photo by Harrison Truong.

Office of the Vice President for the Arts

SIPA – Eligibility & Timeline

Student Eligibility

The following criteria applies to both program tracks (pre-arranged and self-designed internships:

  • Open to current Stanford undergraduate students (freshman, sophomores, and juniors) from all academic disciplines.
    • Priority will be given to students who have not previously participated in SIPA or the Lyric McHenry Community Arts Fellowship.
    • Co-terms and graduating seniors are not eligible for either track.
  • Students are only eligible for one Stanford-funded summer experiential learning opportunity during the 2025-26 academic year (inclusive of summer).
    • If students choose to participate in either track of SIPA, they will not be eligible for another Stanford-sponsored full-time funding opportunity (e.g., another Cardinal Quarter opportunity, Global Studies Internship Program, Undergraduate Research Major Grants, Chappell Lougee, VPA Senior Grant, full-time departmental and faculty research grants, Beagle II Award, etc.).
    • Part-time opportunities (such as an Undergraduate Research Small Grant or another on-campus part-time internship) may be feasible for some SIPA pre-arranged, on campus internships. Contact program staff to discuss eligibility.

Key Dates

SIPA is only available for Summer 2026 internships. Students interested in internship stipends during the academic year may be eligible for funding through the Haas Center’s Cardinal Quarter or Community Service Work-Study programs.

Application Timeline

  • December 2025: Application opens
  • February 12, 2026 @ 11:59pm (Pacific): Deadline for Round 1 pre-arranged internships
    • late February/early March 2026: Semi-finalist interviews take place for selected candidates.
    • mid-March 2026: Pre-arranged internship finalists notified. Students will have up to 48 hours to accept/decline an offer.
  • March 16, 2026 @ 11:59pm (Pacific): Deadline for self-designed internships
    • Completed Host Organization Questionnaire forms are also due by this deadline!
    • early April: Semi-finalist interviews may take place for selected candidates.
    • mid-April: Self-designed internship finalists notified. Students will have up to 48 hours to accept/decline an offer.
  • April 13, 2026 @ 11:59pm (Pacific): Deadline for Round 2 pre-arranged internships
    • mid-April 2026: Semi-finalist interviews take place for selected candidates.
    • late April 2026: Pre-arranged internship finalists notified. Students will have up to 48 hours to accept/decline an offer.
  • May 2026: All Students complete online orientation via Canvas.
  • late May 2026: Stipends paid via Student Financial Services.
  • June/July 2026: Internships begin
  • August/September 2026: Internships end

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Sabrina Wilensky 2018

Sabrina Wilensky

(she/her)

Director of Program Operations and Project Management

[email protected]

Spin

Abstract photography with the goal of rendering mundane objects unrecognizable.

2018

Photography

By '20
The claw (updated)

As a landscape photographer, I like to see things in different light. These represent my personal interpretation of Stanford.

2017

Photo

By '18
đa-ta

Amid noise and glitches, serenity emerges as data flows, lines converge, existing and dissipating simultaneously.

Link to Website

2024

Video Art (with sound)

By '26
Killer in the Sun

A three panel survey of a new environment.

2018

Acrylic on Canvas (Three 5ft x 4ft panels) 60 x 144 in

By '21
Julia Fern

This drawing is a representation of a fractal called a Julia set, which has been rendered out of plants and other organic elements.

2018

Markers on paper

By '19
BLOOD IN THE SAND: LIVES LOST IN THE FIGHT FOR SOUTH AFRICA’S RHINOS

Photojournalistic exploration of the human impact of rhino poaching in South Africa – done in Prof Sue McConnell’s overseas seminar in Summer 2016.

Link to Website

2016

Photographs

By '17
Security Blanket

The security blanket is a metaphor for something we cling to when we are afraid and how it is something we must learn to let it go.

Link to Website

2019

Photography

By '22
untitled (screen painting)

A medium exploration of painting on windows screens.

2018

window screens, oil paint

By '19
Focus

Taken at Felt Lake during one of the field trips of MI 70Q: Photographing Nature, featuring a IntroSem student of the course.

2019

Photograph

By '22
Storytime

I spent 26 days backpacking through Death Valley. When water is scarce, life harder yet more simple, what matters most becomes evident.

Link to Website

2020

song / soundscape

By '20
Rainbow Hoover

A vivid rainbow above the hoover tower

2017

Photograph of nature

By '19
I Have A Right To Show My Color, Darling

A collection of 8 poetic pieces that pull from, build upon, and draw inspiration from the Brown queer experience of a drag artist at a PWI.
Link to Artwork
Link to Website

2024

Collection of Poetry

By '25
Last Light on Haight St

A classic San Francisco house is bathed in orange light at sunset.

2022

Oil paint on panel

By '22
Sandy Treasures

This is a painting of me as a child, my mom, and my grandma at the beach. It symbolizes the treasure that is family and togetherness.

2022

Acrylic Paint on Canvas

By '26
coffee showers

inspired by Mondays, morning showers, and an addiction to caffeine.

2019

Digital illustration

By '21
Desire

Self portrait at the height of COVID and my own extraordinary depression.

2020

Oil paint on canvas

By '25
Two Boys Dancing

Past lovers who couldn’t be together grieve over “what was” and “what could have been”, learning each other’s rhythms tenderly for the first time.

2024

Oil on Canvas

By '24
Community

Giant ladle meant to represent heaven, a room where everyone figured out that to feed themselves, they have to feed each other. + Harley Quinn’s bat

2023

Wood sculpture, Metal Sculpture. Can also display photos attached instead

By '27
Melting Flesh

This piece is an abstract self-portrait linking the internal self and the body to the collective human consciousness.

2022

3D animation (Blender)

By '25
Kimchi Jar: An Interactive Poem

This interactive poem takes the shape of a kimchi jar and symbolizes my separation and recent reunion and celebration of my Korean identity.

Link to Website

2023

3D Arduino installation, interactive poetry

By '25
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