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Stanford Graduate School of Education (GSE)

The Gravity of the Sun by Jacob Hashimoto

 

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Performance

Stephen Henderson

Saturday, October 26

 

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Stanford Arts - Momentum

 

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Natalie Price '16 and Cleo Chung '17 worked as 2016 Summer Interns at OddLot Entertainment. Photo by Harrison Truong.

Office of the Vice President for the Arts

SIPA – Eligibility & Timeline

Student Eligibility

The following criteria applies to both program tracks (pre-arranged and self-designed internships:

  • Open to current Stanford undergraduate students (freshman, sophomores, and juniors) from all academic disciplines.
    • Priority will be given to students who have not previously participated in SIPA or the Lyric McHenry Community Arts Fellowship.
    • Co-terms and graduating seniors are not eligible for either track.
  • Students are only eligible for one Stanford-funded summer experiential learning opportunity during the 2025-26 academic year (inclusive of summer).
    • If students choose to participate in either track of SIPA, they will not be eligible for another Stanford-sponsored full-time funding opportunity (e.g., another Cardinal Quarter opportunity, Global Studies Internship Program, Undergraduate Research Major Grants, Chappell Lougee, VPA Senior Grant, full-time departmental and faculty research grants, Beagle II Award, etc.).
    • Part-time opportunities (such as an Undergraduate Research Small Grant or another on-campus part-time internship) may be feasible for some SIPA pre-arranged, on campus internships. Contact program staff to discuss eligibility.

Key Dates

SIPA is only available for Summer 2026 internships. Students interested in internship stipends during the academic year may be eligible for funding through the Haas Center’s Cardinal Quarter or Community Service Work-Study programs.

Application Timeline

  • December 2025: Application opens
  • February 12, 2026 @ 11:59pm (Pacific): Deadline for Round 1 pre-arranged internships
    • late February/early March 2026: Semi-finalist interviews take place for selected candidates.
    • mid-March 2026: Pre-arranged internship finalists notified. Students will have up to 48 hours to accept/decline an offer.
  • March 16, 2026 @ 11:59pm (Pacific): Deadline for self-designed internships
    • Completed Host Organization Questionnaire forms are also due by this deadline!
    • early April: Semi-finalist interviews may take place for selected candidates.
    • mid-April: Self-designed internship finalists notified. Students will have up to 48 hours to accept/decline an offer.
  • April 13, 2026 @ 11:59pm (Pacific): Deadline for Round 2 pre-arranged internships
    • mid-April 2026: Semi-finalist interviews take place for selected candidates.
    • late April 2026: Pre-arranged internship finalists notified. Students will have up to 48 hours to accept/decline an offer.
  • May 2026: All Students complete online orientation via Canvas.
  • late May 2026: Stipends paid via Student Financial Services.
  • June/July 2026: Internships begin
  • August/September 2026: Internships end

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Reach out with questions:

Sabrina Wilensky 2018

Sabrina Wilensky

(she/her)

Director of Program Operations and Project Management

swilensk@stanford.edu

a flower book

February is a gray month, but these flowers bloomed anyway.
Link to Artwork

2024

sublimation print on synthetic blue satin

By '26
Ahina (Juhu, Mumbai – Home)

This painting is in honor of Ahina and all the women that spend years wishing for a day at school.

2017

46″ x 32”

By '23
Monstera

Aluminum CNC machined monstera leaf inspired bottle opener. I promise it looks better than it sounds.

2024

Sculpture

By '24
one foot in the water

A projection of water drapes over a foot, the painting interweaves the physical and digital sensation.

Link to Website

2016

Oil on canvas

By '19
Yanofsky’s Legacy

Vials of yeast samples are the remaining evidence of Dr. Charles Yanofsky, a noted faculty and geneticist who passed away in 2018.

2018

Photograph

By '23
Digital Youth

A love letter to passionate yet high-strung and jaded Generation Z, this series focuses on youth’s struggles to find meaning in today’s online world.

Link to Website

2021

Photography

By '24
Phone Handscapes

The cellphone becomes a monumental, invasive aspect of experiences (especially in nature), yet is so integral in shaping memories.

Link to Website

2019

iPhone photographs, collaged on Photoshop

By '23
Streebal: Stories of Women and Power (Pre-show photoshoot)

In a pre-show photoshoot for my roommate’s student classical Indian dance ensemble, Noopur, she “breaks character” during a pose.

2016

Photograph

By '19
View from Lower Haight

Colorful shapes of San Francisco buildings are highlighted by a bright sunny day.

2022

Oil paint on canvas

By '22
Internet Series #1

This piece looks into the intersection of queerness and religion in the age of the internet and digital upbringing.

Link to Website

2022

Interactive Digital Work

By '24
Big Tycho

This is a portrait of a cat whom I love and cherish.

2019

Oil on canvas

By '20
Rancho de San Luis, JAL, MX

This project was done on a ten-day summer trip to my family’s ranch.

Link to Website

2017

Environmental Photographs

By '22
BLOOD IN THE SAND: LIVES LOST IN THE FIGHT FOR SOUTH AFRICA’S RHINOS

Photojournalistic exploration of the human impact of rhino poaching in South Africa – done in Prof Sue McConnell’s overseas seminar in Summer 2016.

Link to Website

2016

Photographs

By '17
Nighttime

Mice own your belongings at night.

2016

Charcoal Pencil on Paper

By '22
Where Language Begins and Does Not End

An exploration of the intergenerational and varied manifestations of Japanese internment on the self, the body, the family, and language.

2018

acrylic and mixed media

By '21
exhausted

She wipes the mask off after a long day.

2018

Photoshop

By '21
Glacier Portrait

I made this painting in Iceland as part of my Chappell-Lougee arts project. It is a portrait of a glacier in the glacier lagoon known as Jökulsárlón.

2016

Mixed media (oil paint, charcoal, pastel, grass) on canvas

By '18
A Matter of Time

A wristwatch lies across a keyboard, the numbers juxtaposing the letters and a soft, glowing gleam reflecting across its surface.

2019

Acrylic Paint on Canvas

By '26
Can you read me?

This piece tackles the topic of invisible disabilities and the stigma that many invisibly disabled people, myself included, face.

2018

Photograph on Canvas, Embroidery

By '19
Designer

A surreal portrayal of the cost of modern designer fashion culture.

2015

Scratchboard

By '20
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