Skip to content

Public Art Installations

Stanford Graduate School of Education (GSE)

The Gravity of the Sun by Jacob Hashimoto

 

View Public Art

Featured Events

Performance

Stephen Henderson

Saturday, October 26

 

Buy tickets

Stanford Arts - Momentum

 

Learn More

Natalie Price '16 and Cleo Chung '17 worked as 2016 Summer Interns at OddLot Entertainment. Photo by Harrison Truong.

Office of the Vice President for the Arts

SIPA – Eligibility & Timeline

Student Eligibility

The following criteria applies to both program tracks (pre-arranged and self-designed internships:

  • Open to current Stanford undergraduate students (freshman, sophomores, and juniors) from all academic disciplines.
    • Priority will be given to students who have not previously participated in SIPA or the Lyric McHenry Community Arts Fellowship.
    • Co-terms and graduating seniors are not eligible for either track.
  • Students are only eligible for one Stanford-funded summer experiential learning opportunity during the 2026-27 academic year (inclusive of summer).
    • If students choose to participate in either track of SIPA, they will not be eligible for another Stanford-sponsored full-time funding opportunity (e.g., another Cardinal Quarter opportunity, Global Studies Internship Program, Undergraduate Research Major Grants, Chappell Lougee, VPA Senior Grant, full-time departmental and faculty research grants, Beagle II Award, etc.).
    • Part-time opportunities (such as an Undergraduate Research Small Grant or another on-campus part-time internship) may be feasible for some SIPA pre-arranged, on campus internships. Contact program staff to discuss eligibility.

Key Dates

SIPA is only available for Summer 2027 internships. Students interested in internship stipends during the academic year may be eligible for funding through the Haas Center’s Cardinal Quarter or Community Service Work-Study programs.

Info Sessions

  • January 13, 2027: How to: SIPA (info session)

Application Timeline

  • November 13, 2026: Application opens
  • February 11, 2027 @ 11:59pm (Pacific): Deadline for Round 1 pre-arranged internships
    • late February/early March 2027: Semi-finalist interviews take place for selected candidates.
    • mid-March 2027: Pre-arranged internship finalists notified. Students have up to 48 hours to accept/decline an offer.
  • March 15, 2027 @ 11:59pm (Pacific): Deadline for self-designed internships
    • Completed Host Organization Questionnaire forms are also due by this deadline!
    • early April 2027: Semi-finalist interviews may take place for selected candidates.
    • mid-April 2027: Self-designed internship finalists notified. Students have up to 48 hours to accept/decline an offer.
  • May 2027: All Students complete online orientation via Canvas.
  • late May 2027: Stipends paid via Student Financial Services.
  • June/July 2027: Internships begin
  • August/September 2027: Internships end

Didn't find what you were looking for?

Reach out with questions:

Sabrina Wilensky 2018

Sabrina Wilensky

(she/her)

Director of Program Operations and Project Management

swilensk@stanford.edu

Firenze

A colorful view of buildings and the sky over Florence (Firenze).

2014

Oil Paint on Canvas

By '19
The Spire of Notre Dame

Thousands of stippled dots layer on each other to create each gargoyle and rooftop, coming together to reveal the magnificent, historical spire.

2020

Pen and Ink

By '26
end.

Roses bloom from her cuts.

2018

Photoshop

By '21
Carnage in the Natural World

This is a collective of poems written while contemplating the relationship between the natural, humans, death, continuity, carnage, and hope.
Link to Artwork

2023

Poetry

By '23
Lost Between Worlds

Taken in Alberta, Canada. My hope is not to showcase landscapes but to acknowledge that Earth’s beauty surrounds us.

2017

Photograph

By '20
Oxymoron

“Oxymoron” defies norms with the bond between a fierce girl warrior and her majestic dragon companion, embodying unity amidst contrast.
Link to Artwork

2024

Watercolors and inkpen on mixed media paper

By '28
“Vast, grafted monoculture”

This piece explores repetition, but also sense of self (or selves). The title is a quote from Michael Pollan’s “Botany of Desire.”

2020

Vector drawing and photography

By '21
Amboseli

Seeing the majestic elephants in Kenya was one of my favorite memories from my trip, and I loved depicting the different textures of the landscape.

2016

Acrylic Paint on Canvas

By '23
Untitled

A ghostly woman draped in a silk shawl and pearls.

2022

Charcoal

By '22
Photograph of the Campus

This is a photo taken in the Main Quad.

2018

This is a photo taken in the Main Quad.

By '22
The Body as Canvas

Body painting is used to simulate the patient-doctor relationship. Imagery is inspired by anatomy and the model’s bodily experiences.

Link to Website

2020

Body Paint on Skin

By '20
Lake Nakuru

My mom took a great photo of these skulls hanging on a tree during my trip to Kenya with my family, and wanted to recreate the image in a painting.

2017

Acrylic Paint on Canvas

By '23
EXPLOSIONS

This piece is a manipulated photograph printed on metal.

2019

Mixed Media on Metal

By '24
Forest Reverie

Open your eyes…this is the forest reverie, a queer healing space situated between mother nature and the digital world. Sleep tight.

Link to Website

2022

Photography

By '24
Rancho de San Luis, JAL, MX

This project was done on a ten-day summer trip to my family’s ranch.

Link to Website

2017

Environmental Photographs

By '22
Germination

This piece is a manifestation of the growth and maturity, both physically and mentally, found in adolescence. It mimics the flowering of youth.

2018

Photograph of a physical collage (paper, printed image)

By '22
Confirmation

No Description

2022

Watercolor on Paper

By '27
i’ll never cry again

Girl restrains her tears for, hopefully, the last time.

2018

Photoshop

By '21
A Matter of Time

A wristwatch lies across a keyboard, the numbers juxtaposing the letters and a soft, glowing gleam reflecting across its surface.

2019

Acrylic Paint on Canvas

By '26
Figures in Ochre

These small paintings were quick, gestural sketches that explore the beauty of the feminine form.

2018

Oil on canvas

By '20
Scroll To Top