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Not sure if this counts, but I created a Stanford logo made from many smaller photos. I can make another one, from more interesting photos.
2020
Digital Photograph
[how I avoid winter quarter: experiments with colors and a palette knife]
2017
Oil Paint on Canvas
Man passing through a quickly gentrifying neighborhood in Paris. The text reads “it is dark (or literally, black) in the country of lights.”
2019
Photograph of Man in Paris
Inspired by Stanford’s Romanesque architecture and towering palm trees, I wanted to capture the university’s vibrant energy and beauty.
Digital Illustration
This piece uses classical aesthetics to explore man’s grief and natural processes, exploring the idea that humans can create, inform, and be nature.
Charcoal and Pencil on Paper
This is a portrait of a cat whom I love and cherish.
Oil on canvas
The Andromeda constellation re-imagined, through drawing, through burning holes in paper; how do we impose humanity upon the stars?
2016
Charcoal on paper; flame on tracing paper
Girl has a moment of clarity when her head is in the clouds.
2018
Photoshop
I use this artwork to ask, “What has become of our childhood innocence?”
ink on paper, collage
This photography series depicts the four indigenous Khmer women at Stanford, invisibility, and the consequent strong community we formed.
Link to Website
Photography Series