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Katie Han '23
BEAM Stanford-related photos
2019
Digital photographs
By Katie Han '23
inspired by Mondays, morning showers, and an addiction to caffeine.
Digital illustration
These monotype prints are based on historical photos of imperial palaces in Beijing, my hometown.
monotype on paper
My family, despite being cramped in a bungalow room that was our home, share warmth and happiness beyond understanding.
2021
Acrylic Paint on Canvas
In a pre-show photoshoot for my roommate’s student classical Indian dance ensemble, Noopur, she “breaks character” during a pose.
2016
Photograph
These collages were created from material gathered from a variety of found sources—primarily Life, National Geographic, and Time magazines.
2020
Collage & ink pen
Silhouette of a black woman, breathing her way through.
Acrylic on Canvas
“Oxymoron” defies norms with the bond between a fierce girl warrior and her majestic dragon companion, embodying unity amidst contrast. Link to Artwork
2024
Watercolors and inkpen on mixed media paper
Photo series capturing California’s landscapes and the impacts of human intervention through 35mm film.
Link to Website
Analog Film
I painted a woman who is battered but is pushing herself back up with resiliency. She sends a message of hope to those facing difficulties.
2017
acrylic on wood
A contrast between the cold, grayish tones of the subject and the warmer ones of the koi around her as they mesh together following the fish’s flow.
Oil Paint on Canvas
This piece is a portrait of a friend that overlays an island near the Philippines that has a deep personal association for her from her time there.
An exploration of nature’s healing power as an avenue for escapism and introspection.
2022
Ballpoint and pencil on paper
Amid noise and glitches, serenity emerges as data flows, lines converge, existing and dissipating simultaneously.
Video Art (with sound)
Machines roar and metal parts clang away in the background in this artwork as an enormous robot is constructed before the eyes of a young spectator.
Adobe Photoshop Illustration
Who are our parents before our births? I wanted to use painting to meditate on loss concretized as memory.
Oil on Canvas
An experiment with my visual synesthesia, which imparts color on 2D shapes. Here I try to create a sense of foreboding and discomfort.
Digital Visual Art
A cat in a Japanese restaurant.
3D computer graphics
“the pith” follows an adolescent’s struggle to understand their immigrant mother after their move to America.
Flash Fiction and Digital Illustration
Koreanthian is based on merging different architectural styles that transcends geographical, cultural, and historical differences.
Pen & Ink Drawing on Bristol Paper
Series of 22 photographs reimagining tarot cards (Rider-Waite deck Major Arcana), to reflect the diversity and complexity of the contemporary world.
2018
Digital Photographs