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Zaki Rob '25
A sculpture paying homage to the queer community and culture. Delicate like a flower, yet distinct like an explosion. Trans bodies at the center.
2021
Wood Sculpture
By Zaki Rob '25
Anatomy of the Vogue is a portraiture study of clinical anatomy that bridges human and corpse through a play on the fashion industry.
Link to Website
2016
Colored Pencil
This project was done on a ten-day summer trip to my family’s ranch.
2017
Environmental Photographs
This piece captures the fleeting, but golden moment of connection between the deer and the viewer. A reminder that beautiful things are fleeting.
2015
Oil on canvas
These metallic flowers portray our future if we continue to condone industrial heavy metal pollution. Each flower is one of my original designs.
2024
Original origami flowers on red and silver foil paper; Arranged with silk leaves
Self portrait at the height of COVID and my own extraordinary depression.
2020
Oil paint on canvas
This is a portrait of a cat whom I love and cherish.
2019
Impressions of animal magnetism and the collective unconscious.
Digital Visual Art
My mom took a great photo of these skulls hanging on a tree during my trip to Kenya with my family, and wanted to recreate the image in a painting.
Acrylic Paint on Canvas
This series was taken at the Smithsonian Natural History Museum’s Butterfly Pavilion.
Series of Photographs
A wristwatch lies across a keyboard, the numbers juxtaposing the letters and a soft, glowing gleam reflecting across its surface.
These pieces draw on the rich beauty of Italy to subvert ideas of what Italian art must be (i.e stuck in the Renaissance).
Pen and Marker
Mount Daly in Snowmass, Colorado
2022
Gouache paint on watercolor paper
It is difficult for humans to accept their own flaws and imperfections. This is a self-portrait displaying my many different tones and personalities.
Acrylic on Paper
At Bay is a student-created web series about the launch of a Stanford startup that goes horribly, horribly wrong.
Still from a web series
San Francisco at dusk is illuminated by pinpoints of light on the distant hills.
Oil paint on panel
Mimicking the beauty of bioluminescence.
Digital Photography
[how I avoid winter quarter: experiments with colors and a palette knife]
Oil Paint on Canvas
This image plays with scale, texture, and the physicality of water.
Color Film
Original cover art for the Stanford Daily’s Vol. 257 autumn quarter issue.
Digital Illustration
A portrait of a good dog.