Learn
Career Pathways
Other Opportunities
Support
About
People
Connect with us
Resources For
Nicollette (Venice, Italy)
Stillness, the relationship between Venice’s constant landscape and its moving parts, environments of order that have witnessed extravagant change
2018
acrylic on canvas
By Vedika Kanchan '23
Eyes Over
This piece emerged from a desire to merge figurative and abstract forms. (there are some flaws in the .jpg, if needed I can retake pictures)
2015
Acrylic on Canvas
By Noah DeWald '20
La Belleza Italiana
These pieces draw on the rich beauty of Italy to subvert ideas of what Italian art must be (i.e stuck in the Renaissance).
2017
Pen and Marker
By Ashi Agrawal '19
Submersion
Submersion is a painting that experiments with figure in distortion, and blends the organic elements of nature with human form.
2015
Acrylic Paint on Canvas
By Meagan Wu '18
Circulate
Our limbs perform so many tasks yet we rarely take a moment to recognize the inner workings that make these movements possible.
2019
Acrylic tube, yarn, metal hardware, wood, epoxy resin
By Savannah Mohacsi '20
Tree Study I
A study of a tree for Drawing I in charcoal, exploring silhouettes and shading.
2018
Charcoal on Paper
By Noah DeWald '20
Father Sometime Ago
Who are our parents before our births? I wanted to use painting to meditate on loss concretized as memory.
2019
Oil on Canvas
By Regina Kong '22
David
“David” is a 3D bust loosely based on Michelangelo’s piece of the same name. Inspired by the music video of “Money for Nothing” by Dire Straits.
2018
Blender 3D Render
By Noah DeWald '20
Untitled
A close-up, multi-colored rendering of Eppendorf tubes illustrates that Lab Life is not as monochromatic as it appears.
2019
Oil paint on Canvas
By Mackenzie Carlson '23
Frank’s Blue
This work is based off a creative non-fiction short story I wrote about my childhood relationship with my father.
2017
Oil on Canvas
By Francesca Colombo '19
Death of Chaos
A portrayal of the death of Chaos as depicted in the Zhuangzi, who expired after Shu and Hu bored a new hole into him each day for seven days.
2015
Digital Visual Art
By Andrew Lesh '19
Don’t Stare
This work centers on the relationship between the human and the artificial, inspired when I photographed my cousin with a stark, artificial flash.
2023
Oil and Acrylic Paint on Canvas
By Emily Zhang '26
Night Owl
Inspired by individuality and body empowerment. Work focuses on abstraction of human form and color.
2019
Acrylic on canvas
By Julia Gillette '20
Green Library
As a landscape photographer, I like to see things in different light. These would represent my personal interpretation of Stanford.
2017
Photo
By Lining Sun '18
