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Saturday, October 26
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Student Artist
PhD, Department of Art and Art History 2028
Mimicking the beauty of bioluminescence.
Link to Website
2022
Digital Photography
How do you heal after being discarded?
2021
Acrylic on Canvas
A reflection of my Korean heritage in the new digital age, and how technology distorts my self-perception and my relationship with my culture.
Acrylic Paint on Canvas
Girl has a moment of clarity when her head is in the clouds.
2018
Photoshop
This self-portrait draws on the iconography of the Virgin of Guadalupe that I, as a latina, have a deeply personal, non-religious, relationship with.
Oil Paint on Canvas
A collection of 8 poetic pieces that pull from, build upon, and draw inspiration from the Brown queer experience of a drag artist at a PWI. Link to Artwork Link to Website
2024
Collection of Poetry
These three prints depict tide pool scenes in Moss Beach, CA. They are part of a series, “From Puddles to Pools: A Showcase of Marine Invertebrates.”
Sea Slug is a woodcut and the other two are etchings.
A mixed-media interactive piece installed at Stanford’s annual “Frost Festival”. The piece embodies Stanford’s goals of inclusion and diversity.
Acrylic, Spray Paint, Vinyl, Sticker on Canvas
August on my family’s ranch in Jalisco, México.
2017
Environmental Photographs
This interactive poem takes the shape of a kimchi jar and symbolizes my separation and recent reunion and celebration of my Korean identity.
2023
3D Arduino installation, interactive poetry
Series of 22 photographs reimagining tarot cards (Rider-Waite deck Major Arcana), to reflect the diversity and complexity of the contemporary world.
Digital Photographs
The setting sun casts a firey light onto the skyline of San Francisco, with Coit Tower visible over the hills of the city.
Oil paint on canvas
This piece is an abstract self-portrait linking the internal self and the body to the collective human consciousness.
3D animation (Blender)
A faceless woman in a room of South Vietnamese soldiers
Graphite on Paper
Man passing through a quickly gentrifying neighborhood in Paris. The text reads “it is dark (or literally, black) in the country of lights.”
2019
Photograph of Man in Paris
16 wooden chairs, each with one leg severed, tap in syncopated rhythm, puncturing through a low droning electrical hum.
Found and modified wooden chairs, custom steel hardware, dc motors, wires, solder, modified cast iron weights
This work showcases cultural connection and displacement. The food that should be on your table is now hung on a wall, commemorated but inaccessible.
Monoprints on food wrapping paper, laser cut stencils
This series is meant to bring inspiration, energy and presence to the broader community during a difficult time of shelter-in-place and quarantine.
2020
Acrylic gouache on Yupo Polypropylene Paper
Cool portrait of girl trying to keep in her tears.
An ongoing series attempting to create an emotive instant through color theory principles