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Amboseli
Seeing the majestic elephants in Kenya was one of my favorite memories from my trip, and I loved depicting the different textures of the landscape.
2016
Acrylic Paint on Canvas
By Angela Liu '23
Symbiosis
The piece is inspired geometric subdivision, tessellations and fractals, fusing representations from Chinese, Japanese, and Japanese symbolisms.
2017
Laser Cut Birchwood
By Kimberly Te '20
Frank’s Blue
This work is based off a creative non-fiction short story I wrote about my childhood relationship with my father.
2017
Oil on Canvas
By Francesca Colombo '19
Moonrise
This painting is an interpretation of Magritte’s surrealist painting “The Mysteries of the Horizon,” replacing the men with an aging ballerina.
2018
Acrylic paint on canvas
By Nicola Buskirk '22
Anatomy of the Vogue
Anatomy of the Vogue is a portraiture study of clinical anatomy that bridges human and corpse through a play on the fashion industry.
2016
Colored Pencil
By Meagan Wu '18
Pavilion
Rendering of a modern jazz pavilion, referencing the visual skeleton chord structure of jazz compositions.
2018
Digital Rendering
By Akshay Dinakar '19
Where Language Begins and Does Not End
An exploration of the intergenerational and varied manifestations of Japanese internment on the self, the body, the family, and language.
2018
acrylic and mixed media
By Syd Westley '21
Photograph of the Campus
This is a photo taken in the Main Quad.
2018
This is a photo taken in the Main Quad.
By Cuiping Cai '22
from now on
This painting speaks to how beauty lies in impermanence, contrasting eternal mountains and passing mist.
2023
ink on rice paper; poetry
By Katie Han '23
Palm Tree Paradise?
These photos will never be published in a journalistic publication – familiar scenes on campus but different, the other side of palm tree paradise?
2018
Photograph of campus scenes
By Khuyen Le '21
Circulate
Our limbs perform so many tasks yet we rarely take a moment to recognize the inner workings that make these movements possible.
2019
Acrylic tube, yarn, metal hardware, wood, epoxy resin
By Savannah Mohacsi '20
Which passes through; Life like weeds, no. 3; Standing nude; Up, Simba; Violet light and a hum, no. 2
These collages were created from material gathered from a variety of found sources—primarily Life, National Geographic, and Time magazines.
2020
Collage & ink pen
By Kyle Cromer '20
The claw (updated)
As a landscape photographer, I like to see things in different light. These represent my personal interpretation of Stanford.
2017
Photo
By Lining Sun '18
Study of Rodin Bust
This is a study of Auguste Rodin’s “Bust of St. John the Baptist,” in an attempt to capture the densely textured look of the original.
2018
Charcoal, white chalk on toned paper
By Noah DeWald '20
Untitled
These two small paintings feature a whimsical image that explores feminine sexuality, inspired by the flesh-like quality of oil paint.
2018
oil on cnavs
By Cathy Yang '20
